WEBVTT
Kind: captions
Language: en

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The car speeds towards the boy.&nbsp;
The driver isn’t looking. It’s&nbsp;&nbsp;

00:00:04.360 --> 00:00:09.480
too late to stop or swerve. And&nbsp;
it’s heading straight for him…

00:00:09.480 --> 00:00:16.000
New York, 1984. A young boy is playing ball&nbsp;
in the street on a hot day. He's by himself,&nbsp;&nbsp;

00:00:16.000 --> 00:00:19.040
because his mother doesn't let him play&nbsp;
outside when there are other children&nbsp;&nbsp;

00:00:19.040 --> 00:00:24.040
around. Suddenly a car comes barrelling down&nbsp;
the street. The boy doesn't have enough time&nbsp;&nbsp;

00:00:24.040 --> 00:00:29.080
to run away. He instinctively opens&nbsp;
his mouth in surprise and when he does…

00:00:29.080 --> 00:00:31.920
The car vanishes into it.

00:00:31.920 --> 00:00:34.360
Hearing the squeal of brakes&nbsp;
from inside the house, the&nbsp;&nbsp;

00:00:34.360 --> 00:00:38.480
boy's mother comes rushing outside. She's furious.

00:00:38.480 --> 00:00:43.440
Once he's spit the car back out, she drags him&nbsp;
back inside. She locks him in his room before&nbsp;&nbsp;

00:00:43.440 --> 00:00:48.320
pouring herself another drink. This isn't the&nbsp;
first time something like this has happened.&nbsp;&nbsp;

00:00:48.320 --> 00:00:53.960
The boy's mother makes no secret about the fact&nbsp;
that she wishes he'd just let the car hit him.

00:00:53.960 --> 00:00:58.360
The boy doesn't know why his mother is so&nbsp;
horrible to him. Maybe it's because she's&nbsp;&nbsp;

00:00:58.360 --> 00:01:03.520
afraid of his anomalous abilities, but he's&nbsp;
never hurt anyone. He's done tests before with&nbsp;&nbsp;

00:01:03.520 --> 00:01:08.560
bugs and rats and even a neighbor's cat once&nbsp;
or twice. Every time he swallows something he&nbsp;&nbsp;

00:01:08.560 --> 00:01:12.720
can always retrieve it later without causing&nbsp;
it any damage, even if it's something living.

00:01:12.720 --> 00:01:15.640
His mother should know this by&nbsp;
now, because sometimes when she&nbsp;&nbsp;

00:01:15.640 --> 00:01:19.720
pulls his arm a little too hard, or&nbsp;
accidentally slams a door on his foot,&nbsp;&nbsp;

00:01:19.720 --> 00:01:23.880
he retaliates by spitting a dozen&nbsp;
live rats onto the kitchen floor.

00:01:23.880 --> 00:01:27.360
When he gets a little older the boy will&nbsp;
develop the theory that the real reason&nbsp;&nbsp;

00:01:27.360 --> 00:01:32.320
she hates him is because he reminds her of his&nbsp;
father, who might have had the same powers as&nbsp;&nbsp;

00:01:32.320 --> 00:01:37.600
him. Not that he can ever confirm that, since&nbsp;
his dad skipped town long before he was born.

00:01:37.600 --> 00:01:41.040
But for right now, he is 8 years old&nbsp;
and wishing he could run away from&nbsp;&nbsp;

00:01:41.040 --> 00:01:45.560
home. He's never seriously entertained&nbsp;
the thought, because anomalous or not,&nbsp;&nbsp;

00:01:45.560 --> 00:01:50.440
he knows that a kid like him would not make&nbsp;
it very far on his own in the big apple. Best&nbsp;&nbsp;

00:01:50.440 --> 00:01:55.080
case scenario, the cops pick him up and&nbsp;
drive him straight back home. Worst case,&nbsp;&nbsp;

00:01:55.080 --> 00:02:00.040
he runs into one of those scary guys in white&nbsp;
vans they're always talking about on the news.

00:02:00.040 --> 00:02:04.320
That night, all of his prayers&nbsp;
are about to be answered.

00:02:04.320 --> 00:02:07.880
But before we go any further,&nbsp;
I have a question for you -&nbsp;

00:02:07.880 --> 00:02:10.960
Are you feeling like something’s&nbsp;
off? Is something getting in the&nbsp;&nbsp;

00:02:10.960 --> 00:02:15.440
way of your happiness or your goals?
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issue to benefit from therapy—sometimes life’s&nbsp;
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00:02:20.920 --> 00:02:25.840
to approach life differently, and it’s a sign&nbsp;
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00:02:25.840 --> 00:02:28.880
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00:03:14.960 --> 00:03:19.360
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00:03:19.360 --> 00:03:24.720
this channel. And now back to the little boy&nbsp;
who just wants to be accepted for who he is.&nbsp;

00:03:24.720 --> 00:03:28.960
There's a tap at the window, and the boy&nbsp;
opens the curtains to find someone standing&nbsp;&nbsp;

00:03:28.960 --> 00:03:33.520
on the fire escape. It's the silhouette&nbsp;
of a man, who seems normal at first,&nbsp;&nbsp;

00:03:33.520 --> 00:03:38.360
but when the boy turns his lights on he realizes&nbsp;
the man's eyes are where his mouth should be,&nbsp;&nbsp;

00:03:38.360 --> 00:03:44.080
and his mouth is where his eyes should be. Under&nbsp;
normal circumstances this might have been scary,&nbsp;&nbsp;

00:03:44.080 --> 00:03:48.800
but the boy is thrilled to meet&nbsp;
the man with the upside down face.

00:03:48.800 --> 00:03:53.360
After all this, he knows he's&nbsp;
not the weirdest person on earth.

00:03:53.360 --> 00:03:57.720
He asks the man with the upside down face&nbsp;
if he's his dad, because that seemed like&nbsp;&nbsp;

00:03:57.720 --> 00:04:01.440
a logical thing for him to assume&nbsp;
at the time. The man says he isn't,&nbsp;&nbsp;

00:04:01.440 --> 00:04:05.840
but that the boy can call him Manny, since&nbsp;
that's what all his friends call him.

00:04:05.840 --> 00:04:08.400
Manny says that he heard about&nbsp;
the incident with the car,&nbsp;&nbsp;

00:04:08.400 --> 00:04:13.240
and that he's sorry that happened. He asks&nbsp;
the boy if he's okay, and the boy just gives&nbsp;&nbsp;

00:04:13.240 --> 00:04:17.760
him a shrug. He tells Manny about his mom,&nbsp;
who is currently passed out in front of the&nbsp;&nbsp;

00:04:17.760 --> 00:04:23.120
TV down the hall. He tells Manny that she&nbsp;
doesn't let him have friends, or go outside&nbsp;&nbsp;

00:04:23.120 --> 00:04:28.920
very often. Manny is very understanding- he&nbsp;
says his parents weren't very nice either.

00:04:28.920 --> 00:04:33.960
It's here that Manny offers the young boy a&nbsp;
deal. He tells him that his strange ability&nbsp;&nbsp;

00:04:33.960 --> 00:04:39.320
makes him special. Freaks deserve to be loved&nbsp;
for who they are. They don't belong in boxes,&nbsp;&nbsp;

00:04:39.320 --> 00:04:44.720
they belong out in the world, where they can make&nbsp;
people laugh and scream and throw up. And if the&nbsp;&nbsp;

00:04:44.720 --> 00:04:49.520
boy comes with him, he can go to a place where&nbsp;
everyone else is a freak, too, and where his&nbsp;&nbsp;

00:04:49.520 --> 00:04:56.240
powers can make him a star. The boy doesn't even&nbsp;
have to think about it, he immediately agrees.

00:04:56.240 --> 00:04:59.280
When his mother wakes up&nbsp;
at 3 am to turn the TV off,&nbsp;&nbsp;

00:04:59.280 --> 00:05:05.200
she is in an empty apartment. She never&nbsp;
files a missing person's report for her son.

00:05:05.200 --> 00:05:09.320
The boy is taken to the circus, where he's&nbsp;
introduced to both kids and adults with a&nbsp;&nbsp;

00:05:09.320 --> 00:05:13.840
variety of strange abilities. The circus&nbsp;
is a very strange place in general. The&nbsp;&nbsp;

00:05:13.840 --> 00:05:18.480
cotton candy is jet black, the tents can&nbsp;
seemingly travel anywhere, and most of the&nbsp;&nbsp;

00:05:18.480 --> 00:05:24.200
clowns never take their makeup off, and act&nbsp;
more like over-excitable dogs than people.

00:05:24.200 --> 00:05:28.160
Nonetheless, the boy quickly makes friends.&nbsp;
He's trained in performance skills,&nbsp;&nbsp;

00:05:28.160 --> 00:05:33.200
and as he gets older he starts to come out of&nbsp;
his shell. He had been shy before but once he&nbsp;&nbsp;

00:05:33.200 --> 00:05:37.440
starts talking the other performers&nbsp;
find that they can't shut him up.

00:05:37.440 --> 00:05:41.720
So, his new circus family gives&nbsp;
him a new name- Motormouth.

00:05:41.720 --> 00:05:46.920
Motormouth learns clowning from some of the few&nbsp;
human clowns in the circus' employ. One of them,&nbsp;&nbsp;

00:05:46.920 --> 00:05:52.920
Wembly Pinhead, performs in a classic pierrot&nbsp;
costume and takes his career as a clown extremely&nbsp;&nbsp;

00:05:52.920 --> 00:05:58.640
seriously. He has little patience for the young&nbsp;
Motormouth, as he considers being a clown to be a&nbsp;&nbsp;

00:05:58.640 --> 00:06:04.200
serious and mature performance art. This statement&nbsp;
may be the funniest thing he's ever said.

00:06:04.200 --> 00:06:09.360
Motormouth's other mentor is a grizzled hobo&nbsp;
clown called Scruffy McGrubbins. Scruffy&nbsp;&nbsp;

00:06:09.360 --> 00:06:15.120
is a big man with a deep, gravely voice, who&nbsp;
always smells like cigarettes. He's very wise,&nbsp;&nbsp;

00:06:15.120 --> 00:06:19.800
as clowns go, and always makes sure to share&nbsp;
a piece of his wisdom with Motormouth whenever&nbsp;&nbsp;

00:06:19.800 --> 00:06:23.160
they see each other, Whether it's a&nbsp;
proverb his great aunt once told him,&nbsp;&nbsp;

00:06:23.160 --> 00:06:27.040
or setting him straight on rumors he&nbsp;
might've heard from the other freaks.

00:06:27.040 --> 00:06:31.000
One day Motormouth asks him about a name&nbsp;
he's heard around the circus, or at least,&nbsp;&nbsp;

00:06:31.000 --> 00:06:37.000
he assumes it must be a name because it sounds&nbsp;
like one. He asks Scruffy who Essie P. is,&nbsp;&nbsp;

00:06:37.000 --> 00:06:40.600
and why so many of the freaks are&nbsp;
afraid of her. Scruffy assures&nbsp;&nbsp;

00:06:40.600 --> 00:06:44.200
him that it's all baloney, and that he&nbsp;
shouldn't worry about things like that.

00:06:44.200 --> 00:06:47.440
Other adults at the circus are far&nbsp;
less accepting towards the boy as&nbsp;&nbsp;

00:06:47.440 --> 00:06:51.720
he starts to develop his talents.&nbsp;
Manny remains a fixture in his life,&nbsp;&nbsp;

00:06:51.720 --> 00:06:55.080
and while he's nowhere near as cruel&nbsp;
as Motormouth's mother had been,&nbsp;&nbsp;

00:06:55.080 --> 00:07:00.960
Manny is definitely a believer in tough love.&nbsp;
This is to say nothing of Herman Fuller himself,&nbsp;&nbsp;

00:07:00.960 --> 00:07:05.520
who never lets his performers forget that&nbsp;
he sees them all as totally expendable.

00:07:05.520 --> 00:07:10.000
Motormouth is taught juggling by a man called&nbsp;
Scythe, who performs in the circus as a human&nbsp;&nbsp;

00:07:10.000 --> 00:07:14.320
blockhead. His anomalous ability allows&nbsp;
him to be stabbed anywhere without any&nbsp;&nbsp;

00:07:14.320 --> 00:07:19.440
lasting harm. He's an ill-tempered man who&nbsp;
wears a lot of leather and black eye makeup,&nbsp;&nbsp;

00:07:19.440 --> 00:07:25.080
and Motormouth suspects that maybe he's the way he&nbsp;
is because he couldn't cut it as a rock frontman.

00:07:25.080 --> 00:07:29.640
Scythe doesn't like having to teach Motormouth&nbsp;
juggling, but nobody else wanted the job either,&nbsp;&nbsp;

00:07:29.640 --> 00:07:34.960
so he was stuck with it. But Motormouth is used to&nbsp;
having to spend time around adults who resent him,&nbsp;&nbsp;

00:07:34.960 --> 00:07:39.720
and he's a lot bolder now than when he was 8.&nbsp;
Whenever Scythe tries to make him feel bad,&nbsp;&nbsp;

00:07:39.720 --> 00:07:43.960
he's always ready to strike back&nbsp;
with a barb of his own. Even so,&nbsp;&nbsp;

00:07:43.960 --> 00:07:48.680
he wants Scythe to respect him. One day he&nbsp;
suggests that they should try a double act&nbsp;&nbsp;

00:07:48.680 --> 00:07:52.720
together. Scythe responds by hitting&nbsp;
him over the head with a juggling pin.

00:07:52.720 --> 00:07:56.680
Motormouth's first role in the circus is&nbsp;
while he's still a pre-teen. Even though&nbsp;&nbsp;

00:07:56.680 --> 00:08:01.400
he's learning quickly, he's still lacking&nbsp;
the confidence it takes to be a solo act.

00:08:01.400 --> 00:08:07.120
So, initially all he does is act as a human clown&nbsp;
car, walking into the ring and letting a dozen or&nbsp;&nbsp;

00:08:07.120 --> 00:08:12.320
so clowns climb out of his mouth. The performance&nbsp;
starts with the ringmaster introducing the clowns,&nbsp;&nbsp;

00:08:12.320 --> 00:08:16.320
only to be confused when no clowns&nbsp;
show up. He scratches his head and&nbsp;&nbsp;

00:08:16.320 --> 00:08:21.160
asks the audience if they've seen any clowns&nbsp;
around. Nobody in the audience says they have.

00:08:21.160 --> 00:08:25.240
The spotlight moves towards Motormouth, who&nbsp;
looks like a perfectly normal young boy, and&nbsp;&nbsp;

00:08:25.240 --> 00:08:30.760
is waving to get the ringmaster's attention. The&nbsp;
ringmaster asks the boy if he's seen any clowns,&nbsp;&nbsp;

00:08:30.760 --> 00:08:36.800
and he nods. Then the ringmaster asks where they&nbsp;
are, and without saying anything, the boy opens&nbsp;&nbsp;

00:08:36.800 --> 00:08:42.480
his mouth. A small clown does a forward roll&nbsp;
into the big top, then another, then another.&nbsp;&nbsp;

00:08:42.480 --> 00:08:48.040
Each clown is taller than the previous one, with&nbsp;
the culminating one being on six-foot tall stilts.

00:08:48.040 --> 00:08:50.800
The clowns run around the big&nbsp;
top while the crowd cheers,&nbsp;&nbsp;

00:08:50.800 --> 00:08:55.240
until the ringmaster blows his whistle and&nbsp;
they all stand to attention. The ringmaster&nbsp;&nbsp;

00:08:55.240 --> 00:08:59.440
thanks the young Motormouth for returning&nbsp;
the clowns to the circus. As a reward,&nbsp;&nbsp;

00:08:59.440 --> 00:09:04.920
he gives the boy an oversized rainbow lollipop,&nbsp;
that, of course, Motormouth swallows in one bite&nbsp;&nbsp;

00:09:04.920 --> 00:09:09.800
before he takes a bow and runs off. This&nbsp;
act entertains the crowds well enough,&nbsp;&nbsp;

00:09:09.800 --> 00:09:14.920
but Motormouth quickly gets bored of it and&nbsp;
starts dreaming of bigger and better things.

00:09:14.920 --> 00:09:19.840
More than anything he wants to perform as&nbsp;
a juggler. He likes to make people laugh,&nbsp;&nbsp;

00:09:19.840 --> 00:09:24.720
of course, but having to wear big silly shoes&nbsp;
and greasepaint every day doesn't gel with the&nbsp;&nbsp;

00:09:24.720 --> 00:09:29.840
teenager's developing sense of pride. He's about&nbsp;
15 at this point, and he wants people to take&nbsp;&nbsp;

00:09:29.840 --> 00:09:35.000
him seriously. He endures spending more time&nbsp;
with Scythe just so he can practice juggling&nbsp;&nbsp;

00:09:35.000 --> 00:09:40.400
every day. His training only comes to a close&nbsp;
when Scythe dies suddenly in a freak accident&nbsp;&nbsp;

00:09:40.400 --> 00:09:45.800
during a performance involving flaming swords.&nbsp;
It's a great loss for the circus, but no great&nbsp;&nbsp;

00:09:45.800 --> 00:09:51.480
loss to Motormouth- who finds himself needing to&nbsp;
come up with a juggling act on very short notice.

00:09:51.480 --> 00:09:55.760
At first it's just juggling and joke-telling,&nbsp;
but as he becomes a more established part of&nbsp;&nbsp;

00:09:55.760 --> 00:09:59.680
the circus troupe, he feels like he&nbsp;
ought to switch things up a little.&nbsp;&nbsp;

00:09:59.680 --> 00:10:04.440
No doubt emboldened by hormones, he comes up&nbsp;
with the idea of having a beautiful female&nbsp;&nbsp;

00:10:04.440 --> 00:10:09.000
assistant that he can put in the audience&nbsp;
as a plant and swallow as part of his act.

00:10:09.000 --> 00:10:12.040
The new act is a runaway success.

00:10:12.040 --> 00:10:15.480
Motormouth starts it off with a mix&nbsp;
of juggling and jokes, making use of&nbsp;&nbsp;

00:10:15.480 --> 00:10:19.600
his anomalous abilities to swallow and&nbsp;
regurgitate increasingly unusual items&nbsp;&nbsp;

00:10:19.600 --> 00:10:24.960
to juggle with. He starts with tennis balls,&nbsp;
then fruit, bowling pins, then bowling balls,&nbsp;&nbsp;

00:10:24.960 --> 00:10:29.520
and of course, a set of flaming torches.&nbsp;
Just as his juggling act is about to wrap&nbsp;&nbsp;

00:10:29.520 --> 00:10:34.920
up, a woman in the audience starts heckling&nbsp;
him. She accuses the whole act of being fake.

00:10:34.920 --> 00:10:39.600
Other members of the audience gasp in surprise,&nbsp;
not knowing if this is real or all part of the&nbsp;&nbsp;

00:10:39.600 --> 00:10:44.920
act. Motormouth and the heckler argue, and he&nbsp;
tells her that if she's so sure that he's a fake,&nbsp;&nbsp;

00:10:44.920 --> 00:10:50.000
she can come into the ring and see for herself.&nbsp;
She stands up and walks down to the ring,&nbsp;&nbsp;

00:10:50.000 --> 00:10:53.720
climbing over the barrier to stand&nbsp;
right in the spotlight with Motormouth.

00:10:53.720 --> 00:10:58.720
He invites her to put her hand in his mouth. She&nbsp;
does, her arm disappearing up to the shoulder.&nbsp;&nbsp;

00:10:58.720 --> 00:11:03.120
She grabs onto the first object she can get a&nbsp;
hold of, and when she pulls her arm back she's&nbsp;&nbsp;

00:11:03.120 --> 00:11:09.880
holding a wooden baseball bat. The crowd laughs.&nbsp;
The heckler says she still isn't convinced, so&nbsp;&nbsp;

00:11:09.880 --> 00:11:16.520
Motormouth lets her grab his chin and pull, just&nbsp;
to see how far his jaw can open. Using both hands,&nbsp;&nbsp;

00:11:16.520 --> 00:11:21.640
she's able to stretch Motormouth's lower jaw to&nbsp;
the width of both her arms. The crowd starts to&nbsp;&nbsp;

00:11:21.640 --> 00:11:26.680
laugh again. Overcome with curiosity, the heckler&nbsp;
sticks her head into Motormouth's mouth and&nbsp;&nbsp;

00:11:26.680 --> 00:11:32.600
seemingly without warning, his jaw snaps closed&nbsp;
like a rubber band and the woman disappears.

00:11:32.600 --> 00:11:36.680
He resumes his juggling routine as if nothing&nbsp;
happened, and the crowd erupts into a mix of&nbsp;&nbsp;

00:11:36.680 --> 00:11:43.160
shocked gasps and hysterical laughter. For the&nbsp;
piece de resistance, after juggling 5 pineapples&nbsp;&nbsp;

00:11:43.160 --> 00:11:48.640
with a sixth balanced on his head, he spits the&nbsp;
woman back out, and the two of them take a bow.

00:11:48.640 --> 00:11:52.880
During this period, he develops a close&nbsp;
relationship with another performer, Theo,&nbsp;&nbsp;

00:11:52.880 --> 00:11:58.720
an anomalous acrobat who can flip his skin inside&nbsp;
out. Theo is a little older than Motormouth,&nbsp;&nbsp;

00:11:58.720 --> 00:12:04.400
but their bond soon develops into romance. The&nbsp;
two performers develop a double act together.&nbsp;&nbsp;

00:12:04.400 --> 00:12:08.080
Theo does a jump from the high-dive and&nbsp;
Motormouth catches him in his mouth. But&nbsp;&nbsp;

00:12:08.080 --> 00:12:14.120
soon they learn what many people have to learn-&nbsp;
that workplace romances never endure for long.

00:12:14.120 --> 00:12:18.720
The two boys break up and the double&nbsp;
act falls apart. Theo stops performing&nbsp;&nbsp;

00:12:18.720 --> 00:12:21.880
in the big top and moves his act to the sideshow.

00:12:21.880 --> 00:12:26.000
During Motormouth's time with the circus, a&nbsp;
rift starts to form between the ringleader,&nbsp;&nbsp;

00:12:26.000 --> 00:12:31.360
Herman Fuller, and the man with the upside down&nbsp;
face. Herman knows that his performers have it&nbsp;&nbsp;

00:12:31.360 --> 00:12:37.400
out for him, and becomes increasingly paranoid as&nbsp;
a result. Manny calls him out and in retaliation,&nbsp;&nbsp;

00:12:37.400 --> 00:12:41.880
Herman ties him up and nearly kills him&nbsp;
in front of the entire circus troupe.

00:12:41.880 --> 00:12:46.120
But instead of making them afraid,&nbsp;
as intended, a huge riot breaks out,&nbsp;&nbsp;

00:12:46.120 --> 00:12:51.560
with every freak, clown and acrobat banding&nbsp;
together to beat Herman Fuller into submission&nbsp;&nbsp;

00:12:51.560 --> 00:12:56.240
and kick him out of his own circus for good.&nbsp;
Manny takes over running the place after that,&nbsp;&nbsp;

00:12:56.240 --> 00:12:59.120
with one of the clowns, Icky,&nbsp;
taking the role of ringmaster.

00:12:59.640 --> 00:13:05.480
Things are better under Manny and Icky. Motormouth&nbsp;
continues to draw crowds to the big top. But&nbsp;&nbsp;

00:13:05.480 --> 00:13:10.800
it's not too long before something starts to&nbsp;
seem a little bit off. Manny isn't himself,&nbsp;&nbsp;

00:13:10.800 --> 00:13:14.520
he starts losing his temper more&nbsp;
often than usual. It's clear to&nbsp;&nbsp;

00:13:14.520 --> 00:13:19.120
everyone around him that the stress of his&nbsp;
new position is starting to wear him down.

00:13:19.120 --> 00:13:22.880
Every so often, Manny will introduce a new&nbsp;
child to the circus troupe. They will have&nbsp;&nbsp;

00:13:22.880 --> 00:13:26.720
some sort of anomalous ability, and Manny&nbsp;
will explain that he rescued them from a&nbsp;&nbsp;

00:13:26.720 --> 00:13:31.440
neglectful home. Motormouth is sympathetic&nbsp;
to these kids, since he can remember when he&nbsp;&nbsp;

00:13:31.440 --> 00:13:36.760
was in the same boat. He offers to take care&nbsp;
of these kids and teach them how to perform.&nbsp;&nbsp;

00:13:36.760 --> 00:13:42.520
Some of the kids seem overwhelmed, or even&nbsp;
scared, but Motormouth is always patient.

00:13:42.520 --> 00:13:46.600
Of course they're frightened- Herman Fuller's&nbsp;
circus can be a threatening place for a kid,&nbsp;&nbsp;

00:13:46.600 --> 00:13:50.080
and most of these kids have&nbsp;
come from terrible home lives.

00:13:50.080 --> 00:13:54.920
One day, a young girl comes to him in tears.&nbsp;
Motormouth has been teaching her to juggle,&nbsp;&nbsp;

00:13:54.920 --> 00:13:59.200
so she feels comfortable going to&nbsp;
him. He asks her what's wrong and she&nbsp;&nbsp;

00:13:59.200 --> 00:14:04.120
tells him how badly she wants to go home.&nbsp;
She isn't an orphan, like Manny had told&nbsp;&nbsp;

00:14:04.120 --> 00:14:10.160
everyone. Her parents were alive and loved her&nbsp;
and were worried sick wondering where she'd gone.

00:14:10.160 --> 00:14:15.840
Hearing this, Motormouth is furious. He&nbsp;
goes to Manny and demands an explanation.&nbsp;&nbsp;

00:14:15.840 --> 00:14:20.040
Manny slaps Motormouth across the face and&nbsp;
tells him never to challenge his authority&nbsp;&nbsp;

00:14:20.040 --> 00:14:24.600
like that again. Manny is doing what he&nbsp;
needs to do to keep the circus running,&nbsp;&nbsp;

00:14:24.600 --> 00:14:28.400
because it's his job to do&nbsp;
that by any means necessary.

00:14:28.400 --> 00:14:31.320
Even though Motormouth tries to&nbsp;
tell him that he's being paranoid,&nbsp;&nbsp;

00:14:31.320 --> 00:14:37.200
he won't listen. Motormouth realizes then that&nbsp;
he needs to take the issue into his own hands.

00:14:37.200 --> 00:14:41.480
He and the young girl form an escape plan- she&nbsp;
lets him swallow her and sneak her out of the&nbsp;&nbsp;

00:14:41.480 --> 00:14:46.520
circus, back to her home where her parents&nbsp;
are waiting. It goes off without a hitch,&nbsp;&nbsp;

00:14:46.520 --> 00:14:51.560
but when Motormouth returns back to&nbsp;
the circus, Manny is waiting for him.

00:14:51.560 --> 00:14:53.320
He's furious.

00:14:53.320 --> 00:14:55.760
Motormouth wants to tell&nbsp;
everyone else what happened,&nbsp;&nbsp;

00:14:55.760 --> 00:15:00.120
but they've all made up their minds already.&nbsp;
Manny has absolute authority here and if he&nbsp;&nbsp;

00:15:00.120 --> 00:15:05.080
tells them that motormouth is trying to&nbsp;
sabotage the circus then they believe him.

00:15:05.080 --> 00:15:09.880
Just like Herman Fuller had before him, Manny&nbsp;
gathers everyone together to watch as he makes&nbsp;&nbsp;

00:15:09.880 --> 00:15:15.320
an example of him. It hurts him to have to&nbsp;
do it, deep down, since he's known Motormouth&nbsp;&nbsp;

00:15:15.320 --> 00:15:20.640
almost his whole life. But the circus&nbsp;
has to come first. Motormouth is locked&nbsp;&nbsp;

00:15:20.640 --> 00:15:26.560
in a wooden trunk that is locked with chains&nbsp;
and labeled with a card reading 'For Essie'.

00:15:26.560 --> 00:15:33.680
So goes the tragic tale of SCP-2094, better known&nbsp;
by his nickname, Motormouth - Because if one thing&nbsp;&nbsp;

00:15:33.680 --> 00:15:39.760
is true out of the many rambling tall tales that&nbsp;
SCP-2094 is liable to tell, it’s that he has a&nbsp;&nbsp;

00:15:39.760 --> 00:15:45.760
truly extraordinary mouth. He’s since become a&nbsp;
permanent resident at Bio-Site 59, where he’s&nbsp;&nbsp;

00:15:45.760 --> 00:15:50.640
shared the bizarre details of his pre-containment&nbsp;
life - and his association with the infamous Group&nbsp;&nbsp;

00:15:50.640 --> 00:15:55.560
of Interest, Herman Fuller’s Circus of the&nbsp;
Disquieting - with Foundation researchers.

00:15:55.560 --> 00:16:00.240
First, there’s his anomalous ability - Stretching&nbsp;
out his jaw and throat to consume solid matter,&nbsp;&nbsp;

00:16:00.240 --> 00:16:04.560
living or otherwise, of any size.&nbsp;
The matter he swallows seems to&nbsp;&nbsp;

00:16:04.560 --> 00:16:08.680
be transferred to some limitless pocket&nbsp;
dimension inside the subject’s stomach,&nbsp;&nbsp;

00:16:08.680 --> 00:16:13.720
where it remains unharmed and suspended. As&nbsp;
you’ve seen in Motormouth’s legendary act,&nbsp;&nbsp;

00:16:13.720 --> 00:16:18.200
he’s also able to produce up the things&nbsp;
he’s swallowed, intact and alive.

00:16:18.200 --> 00:16:20.680
Like many so-called “freaks”, Motormouth was soon&nbsp;&nbsp;

00:16:20.680 --> 00:16:24.200
inducted into the aforementioned Herman&nbsp;
Fuller’s Circus of the Disquieting,&nbsp;&nbsp;

00:16:24.200 --> 00:16:30.400
a sinister and often abusive organization that&nbsp;
exploits humanoid anomalies for monetary gain.

00:16:30.400 --> 00:16:34.840
Despite their mistreatment of him, Motormouth&nbsp;
refused to give up any identifying information&nbsp;&nbsp;

00:16:34.840 --> 00:16:38.440
that could lead to the Foundation -&nbsp;
dubbed by members of the Circus as&nbsp;&nbsp;

00:16:38.440 --> 00:16:43.720
“Miss Essie P. Foundation” - apprehending&nbsp;
other members of the diabolical carnival.

00:16:43.720 --> 00:16:48.080
In an interview with Foundation Researcher&nbsp;
Dr. O’Sullivan, he said the following:&nbsp;

00:16:48.080 --> 00:16:50.680
“I'll tell ya right now, the circus&nbsp;
life ain't for everyone, but hey,&nbsp;&nbsp;

00:16:50.680 --> 00:16:54.720
Manny and the gang did the best they could. They&nbsp;
put bread in our mouths and pillows under our&nbsp;&nbsp;

00:16:54.720 --> 00:16:58.560
heads. I got a whooping now and again, but what&nbsp;
kid doesn't? It's all part of growing up. Kept&nbsp;&nbsp;

00:16:58.560 --> 00:17:02.840
me in line and manned me up quickly. The folks at&nbsp;
the circus loved me like I was one of their own.

00:17:02.840 --> 00:17:05.960
They never made me feel like being a freak&nbsp;
was anything to be hidden or ashamed of.&nbsp;&nbsp;

00:17:05.960 --> 00:17:08.520
When you're part of a circus family, you&nbsp;
look out for one another. You don't just&nbsp;&nbsp;

00:17:08.520 --> 00:17:12.120
turn around and sell your family&nbsp;
out to the Essie P. Foundation!”

00:17:12.120 --> 00:17:16.760
On the whole, Motormouth has been in high spirits&nbsp;
in containment - always quick to perform a trick&nbsp;&nbsp;

00:17:16.760 --> 00:17:22.040
or crack a joke while under observation.&nbsp;
But like many comedians and entertainers,&nbsp;&nbsp;

00:17:22.040 --> 00:17:27.680
something darker has shown itself beneath&nbsp;
the surface: He wouldn’t admit it, but the&nbsp;&nbsp;

00:17:27.680 --> 00:17:33.400
horrors he’s experienced have left a toll on him,&nbsp;
resulting in a number of unfortunate incidents.

00:17:33.400 --> 00:17:38.560
The most severe of which involved Motormouth&nbsp;
trying to swallow himself whole, which is&nbsp;&nbsp;

00:17:38.560 --> 00:17:43.480
admittedly a little hard to even picture. He’s&nbsp;
had closer observation and support since then,&nbsp;&nbsp;

00:17:43.480 --> 00:17:47.360
and has, thankfully, been shown&nbsp;
to be improving on the whole.

00:17:47.360 --> 00:17:53.720
SCP-2094 is contained in a medium-security&nbsp;
residential chamber in Bio-Site 59. Standard&nbsp;&nbsp;

00:17:53.720 --> 00:17:58.560
PG-Class pre-approved luxuries and amenities -&nbsp;
essentially what you’d find in a mid-rate chain&nbsp;&nbsp;

00:17:58.560 --> 00:18:04.560
hotel - on a supervised basis as an incentive to&nbsp;
promote cooperation in interviews and experiments.

00:18:04.560 --> 00:18:08.400
Because of the depression and post-traumatic&nbsp;
stress disorder Motormouth experiences in&nbsp;&nbsp;

00:18:08.400 --> 00:18:13.200
the aftermath of his rough childhood and even&nbsp;
rougher adulthood, he’s granted regular mental&nbsp;&nbsp;

00:18:13.200 --> 00:18:18.800
health counseling sessions with Dr. Anniston, the&nbsp;
on-site psychiatrist at Bio-Site 59. He’s also&nbsp;&nbsp;

00:18:18.800 --> 00:18:24.120
been prescribed a course of psychiatric medication&nbsp;
to help treat some of his underlying issues.

00:18:24.120 --> 00:18:29.320
With so many cursed objects, maniacal monsters,&nbsp;
and incomprehensible beings interred within the&nbsp;&nbsp;

00:18:29.320 --> 00:18:35.040
confines of the SCP Foundation, it’s easy to&nbsp;
forget the plight of anomalies like Motormouth.&nbsp;&nbsp;

00:18:35.040 --> 00:18:40.920
People whose extraordinary gifts and burdens&nbsp;
make them outcasts in society - And often&nbsp;&nbsp;

00:18:40.920 --> 00:18:46.080
end up in the care of an Organization&nbsp;
famous for being cold and unfeeling.

00:18:46.080 --> 00:18:48.800
And in the dark of a Foundation containment cell,&nbsp;&nbsp;

00:18:48.800 --> 00:18:53.160
a little kindness and&nbsp;
compassion can go a long way…

00:18:53.160 --> 00:18:57.440
Check out the Doctor Bob Patreon and become&nbsp;
a junior researcher today! Now go and watch&nbsp;&nbsp;

00:18:57.440 --> 00:19:03.640
another entry from the files of Doctor Bob,&nbsp;
like SCP-2484 – Parasitic Mayonnaise Worms!

