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It’s a perfect night for a candle-lit dinner.&nbsp;
The Cannibal sharpens his filet knife,&nbsp;&nbsp;

00:00:05.240 --> 00:00:11.320
a hungry glint in his eye. It’s been a long week&nbsp;
at work - Seeing clients, managing accounts,&nbsp;&nbsp;

00:00:11.320 --> 00:00:18.520
crunching numbers. Having to pretend he’s like&nbsp;
all the others. That mass of bland, boring cattle.

00:00:18.520 --> 00:00:24.320
But on Friday, he gets to indulge in&nbsp;
his ultimate passion. What a lovely day.

00:00:24.320 --> 00:00:30.400
There’s a quiet, pained murmuring coming from the&nbsp;
larder. The Cannibal ignores it and chops carrots.&nbsp;&nbsp;

00:00:30.400 --> 00:00:36.400
On a cold evening like this, he could lose himself&nbsp;
in a nice, hot soup and a bottle of the red stuff.

00:00:36.400 --> 00:00:41.760
The murmuring in the larder becomes a muffled&nbsp;
scream. How rude. It’s interrupting his favorite&nbsp;&nbsp;

00:00:41.760 --> 00:00:48.320
part of the Thieving Magpie on vinyl. That simply&nbsp;
will not do. He cleans the carrot juice from the&nbsp;&nbsp;

00:00:48.320 --> 00:00:53.960
shimmering blade of the knife and stomps over to&nbsp;
the larder in a fierce mood, his teeth gritted.

00:00:53.960 --> 00:01:00.120
He opens the reinforced door. Strings of garlic&nbsp;
hang next to imported Italian sausage. Preserves&nbsp;&nbsp;

00:01:00.120 --> 00:01:06.800
and pickles line the shelves in jars. So many fine&nbsp;
aged cheese he can’t remember all the names. And,&nbsp;&nbsp;

00:01:06.800 --> 00:01:09.920
of course, Keith, bound and gagged in the corner,&nbsp;&nbsp;

00:01:09.920 --> 00:01:14.920
his ankles chained to the wall. Not&nbsp;
so long ago, Keith was an intern at&nbsp;&nbsp;

00:01:14.920 --> 00:01:22.440
the Cannibal’s firm. He’d underperformed.&nbsp;
He was always late. He was insubordinate.

00:01:22.440 --> 00:01:26.640
Still, the Cannibal is resourceful and&nbsp;
pragmatic. It’s why they pay him such&nbsp;&nbsp;

00:01:26.640 --> 00:01:32.360
a lofty salary. It didn’t take him long&nbsp;
to think of another use for poor Keith.

00:01:32.360 --> 00:01:36.920
As Keith tries to beg through the rope tied&nbsp;
into his mouth, the Cannibal feels a pang of&nbsp;&nbsp;

00:01:36.920 --> 00:01:42.280
hunger. He always gets the most excited when&nbsp;
the cattle are afraid. It gives him a feeling&nbsp;&nbsp;

00:01:42.280 --> 00:01:50.760
of almost godlike power. They’ll cry, they’ll&nbsp;
beg, but sooner or later, the reality sets in.

00:01:50.760 --> 00:01:54.920
They’re less than human now: They’re food.

00:01:54.920 --> 00:01:58.920
Keith, rapidly losing hope, notices an&nbsp;
interesting quirk in the architecture&nbsp;&nbsp;

00:01:58.920 --> 00:02:04.520
of the room. The floors slant slightly down into&nbsp;
the center of the room. There’s a drainage grate.&nbsp;&nbsp;

00:02:04.520 --> 00:02:10.400
The Cannibal notices Keith looking at it and&nbsp;
smiles - a broad crescent of predatory teeth.

00:02:10.400 --> 00:02:16.440
“I had this room designed specially for my&nbsp;
unusual feeding habits, Keith,” he says,&nbsp;&nbsp;

00:02:16.440 --> 00:02:20.760
taking entirely too much pleasure in&nbsp;
it. “That vent you’re taking so much&nbsp;&nbsp;

00:02:20.760 --> 00:02:26.400
interest in, it’s for catching the&nbsp;
spillage. I can’t abide by mess.”

00:02:26.400 --> 00:02:30.800
The Cannibal takes out the filet&nbsp;
knife - clean, cold, and deadly,&nbsp;&nbsp;

00:02:30.800 --> 00:02:36.400
just like him - and sets to work.&nbsp;
No point in delaying the fun now.

00:02:36.400 --> 00:02:40.520
Later that night, once the Cannibal has&nbsp;
finished hosing down the larder and cooking,&nbsp;&nbsp;

00:02:40.520 --> 00:02:44.840
he ladles some delicious meat stew into&nbsp;
one of his fine China bowls. He takes a&nbsp;&nbsp;

00:02:44.840 --> 00:02:52.480
sip. Warm and delicious, like wings of golden&nbsp;
light spreading in his chest. Intern Keith is&nbsp;&nbsp;

00:02:52.480 --> 00:02:56.800
actually some good to him now. Life&nbsp;
can be full of surprises like that.

00:02:56.800 --> 00:03:00.600
The next day, as the Cannibal sits in the&nbsp;
corner office of his beloved high rise,&nbsp;&nbsp;

00:03:00.600 --> 00:03:06.960
sending off emails to his most treasured clients,&nbsp;
he feels so wonderfully at peace. He always feels&nbsp;&nbsp;

00:03:06.960 --> 00:03:11.160
that way after a feeding. It affirms what he&nbsp;
holds to be one of the foundational facts of&nbsp;&nbsp;

00:03:11.160 --> 00:03:19.360
his reality: Human beings are just cattle. He’s&nbsp;
the predator, and the rest of them are prey.

00:03:19.360 --> 00:03:24.320
The detectives come prying in the afternoon.&nbsp;
He expects that much. They ask him the standard&nbsp;&nbsp;

00:03:24.320 --> 00:03:29.840
battery of questions: Details about his own life&nbsp;
and history, his limited interactions with Intern&nbsp;&nbsp;

00:03:29.840 --> 00:03:35.400
Keith, whether he noticed anything… Strange.&nbsp;
The Cannibal plays the part of the concerned&nbsp;&nbsp;

00:03:35.400 --> 00:03:40.720
citizen perfectly. He assures the detectives that,&nbsp;
sadly, he doesn’t have any information that will&nbsp;&nbsp;

00:03:40.720 --> 00:03:46.960
be of any use to them - But he hopes that the poor&nbsp;
fellow is found safely. While he says that part,&nbsp;&nbsp;

00:03:46.960 --> 00:03:51.360
he tongues a stringy little fiber of&nbsp;
Keith still stuck between his molars.

00:03:51.360 --> 00:03:56.360
When the detectives leave, he feels the&nbsp;
ultimate thrill: He got away with it.&nbsp;&nbsp;

00:03:56.360 --> 00:04:01.080
The only evidence that could put him away is&nbsp;
currently moving through his lower intestine.&nbsp;&nbsp;

00:04:01.080 --> 00:04:07.200
The transgression emboldens him. He normally&nbsp;
only feeds once a month, but what would be the&nbsp;&nbsp;

00:04:07.200 --> 00:04:12.200
harm of going for a double this time, just&nbsp;
to celebrate how well the first one went?

00:04:12.200 --> 00:04:17.640
He grins to himself. Yes,&nbsp;
tonight it will happen again.

00:04:17.640 --> 00:04:22.000
Cut to the dark streets in the poorer part of&nbsp;
town, where he prowls in his Mercedes Benz like&nbsp;&nbsp;

00:04:22.000 --> 00:04:28.440
a metal crocodile. Rain falls like deadly&nbsp;
knives. The asphalt his river. His hunting&nbsp;&nbsp;

00:04:28.440 --> 00:04:34.200
ground. Nobody misses people here, and that’s&nbsp;
something he’s counting on. As he drives and&nbsp;&nbsp;

00:04:34.200 --> 00:04:39.680
seeks out his next victim, he finds himself&nbsp;
reminiscing fondly about his past meals.

00:04:39.680 --> 00:04:43.560
There was the lonely woman walking home from&nbsp;
the gym. He watched her working out through&nbsp;&nbsp;

00:04:43.560 --> 00:04:48.960
the glass all night, feeling his hunger&nbsp;
grow. He’s a patient ambush predator.&nbsp;&nbsp;

00:04:48.960 --> 00:04:53.320
When she left the gym he got out of his car&nbsp;
and pulled a black balaclava over his face,&nbsp;&nbsp;

00:04:53.320 --> 00:04:57.120
a hammer hidden inside the sleeve of&nbsp;
his jacket. She didn’t turn around&nbsp;&nbsp;

00:04:57.120 --> 00:05:02.720
until he was right behind her, and by&nbsp;
then, well, it was already too late.

00:05:02.720 --> 00:05:05.240
She made a passable meat loaf.

00:05:05.240 --> 00:05:10.200
Of course, there was the roadside mechanic. He was&nbsp;
easy enough. All it took was a phone stolen from&nbsp;&nbsp;

00:05:10.200 --> 00:05:15.680
a previous victim and a long, dark back road. He&nbsp;
turned up in the middle of the night to solve what&nbsp;&nbsp;

00:05:15.680 --> 00:05:21.760
he thought was a car problem, but was, in fact,&nbsp;
a problem of desire. He can’t hide his surprise&nbsp;&nbsp;

00:05:21.760 --> 00:05:26.600
when he sees the cannibal step out of the dark&nbsp;
with a handgun in his steely grip. He went so&nbsp;&nbsp;

00:05:26.600 --> 00:05:32.560
placidly into the back of the Cannibal’s&nbsp;
car, as meek and obedient as a baby lamb.

00:05:32.560 --> 00:05:35.440
He made wonderful steaks later that night.

00:05:35.440 --> 00:05:39.960
And how could he forget the teenage boy that&nbsp;
he lured over to his home by pretending to be a&nbsp;&nbsp;

00:05:39.960 --> 00:05:46.120
girl his age online? People are so easy to trick&nbsp;
when they think they’re getting what they want.

00:05:46.120 --> 00:05:49.800
Back in the present, he’s selected&nbsp;
his target. He parks on the side of&nbsp;&nbsp;

00:05:49.800 --> 00:05:53.040
the curb when he sees a homeless&nbsp;
woman bundled up in the cold. He&nbsp;&nbsp;

00:05:53.040 --> 00:05:58.040
can give her a warm place for the&nbsp;
night. Just not the kind she expects.

00:05:58.040 --> 00:06:03.200
The Cannibal slides out of his car, his form&nbsp;
hidden behind a long, expensive raincoat. He&nbsp;&nbsp;

00:06:03.200 --> 00:06:07.440
slides up to the homeless woman and nudges&nbsp;
her with his foot until she wakes up,&nbsp;&nbsp;

00:06:07.440 --> 00:06:13.560
confused and annoyed. He feels like a thrill&nbsp;
tonight. A real hunt. When she asks him what&nbsp;&nbsp;

00:06:13.560 --> 00:06:19.600
the big idea is, waking her up like that, instead&nbsp;
of answering with words, he reaches into his coat.

00:06:19.600 --> 00:06:22.280
And pulls out an axe.

00:06:22.280 --> 00:06:28.240
Her eyes widen when she sees it. This man,&nbsp;
this monster, means her terrible harm. She&nbsp;&nbsp;

00:06:28.240 --> 00:06:33.120
wills herself up to her feet, surfing a cascade&nbsp;
of adrenaline, and starts to run down the street,&nbsp;&nbsp;

00:06:33.120 --> 00:06:40.320
screaming for help. Exactly like he wants&nbsp;
her to. That’s when the chase begins.

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As shutters close and lights turn off, the&nbsp;
homeless woman tears down the cold and desolate&nbsp;&nbsp;

00:06:44.920 --> 00:06:49.040
streets. The people in this neighborhood&nbsp;
know better than to poke their nose into&nbsp;&nbsp;

00:06:49.040 --> 00:06:53.800
somebody else’s business. They’ve been trained&nbsp;
to close their eyes and just be thankful it’s&nbsp;&nbsp;

00:06:53.800 --> 00:06:59.880
not them. Their apathy is the Cannibal’s&nbsp;
greatest ally in these monstrous hunts.

00:06:59.880 --> 00:07:04.840
The woman tries banging up against indifferent&nbsp;
doors, her cheeks streaked with tears. No&nbsp;&nbsp;

00:07:04.840 --> 00:07:10.440
response. The Cannibal keeps up at a steady jog,&nbsp;
honed over countless hours on the treadmill at&nbsp;&nbsp;

00:07:10.440 --> 00:07:16.360
his favorite premium gym. He can catch her&nbsp;
at any time he wants, but it thrills him to&nbsp;&nbsp;

00:07:16.360 --> 00:07:24.280
prolong the chase. The pursuit is the only time&nbsp;
he feels like his true self - the predator inside.

00:07:24.280 --> 00:07:28.240
But the homeless woman hasn’t given up.&nbsp;
She refuses to lay down and become prey&nbsp;&nbsp;

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to the monster with the axe. When she&nbsp;
realizes that nobody else will help her,&nbsp;&nbsp;

00:07:32.720 --> 00:07:37.480
she’s left with one option:&nbsp;
She needs to protect herself.

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Cutting through tape marked “KEEP OUT”, she&nbsp;
runs into a barren construction site - the&nbsp;&nbsp;

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ghost of what was once meant to&nbsp;
be a mall, but it fell through.&nbsp;&nbsp;

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Like everything else out here. With her&nbsp;
bare feet stinging against coarse gravel,&nbsp;&nbsp;

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she runs towards some half-completed stairs&nbsp;
at the base level of the construction&nbsp;&nbsp;

00:07:53.760 --> 00:07:59.080
site and begins scaling them, flight after&nbsp;
flight, with some inhuman wind at her back.

00:07:59.080 --> 00:08:02.880
Not far behind, the Cannibal grips&nbsp;
the lacquered wood of the axe handle,&nbsp;&nbsp;

00:08:02.880 --> 00:08:09.240
taking steady strides. The fear, he thinks,&nbsp;
will only make her taste better. There’s no&nbsp;&nbsp;

00:08:09.240 --> 00:08:13.960
way in hell that some poor stray like&nbsp;
this would ever be able to best him.

00:08:13.960 --> 00:08:16.680
There’s one thing that the&nbsp;
Cannibal underestimates:&nbsp;&nbsp;

00:08:16.680 --> 00:08:22.600
His would-be victim’s will to survive. And&nbsp;
that’s a mistake that will cost him dearly.

00:08:22.600 --> 00:08:26.600
The Cannibal’s pursuit of the homeless woman&nbsp;
leads him onto one of the construction site’s&nbsp;&nbsp;

00:08:26.600 --> 00:08:30.960
many vacant floors, filled with ghostly&nbsp;
sheets of translucent plastic and metal&nbsp;&nbsp;

00:08:30.960 --> 00:08:35.720
support beams. It’s like something out of a&nbsp;
cheap horror film - the perfect setting for&nbsp;&nbsp;

00:08:35.720 --> 00:08:41.040
an axe murder. And the Cannibal more&nbsp;
than intends to fulfil that prophecy.

00:08:41.040 --> 00:08:44.880
He stalks through the sheets of plastic,&nbsp;
dragging his axe along the ground behind&nbsp;&nbsp;

00:08:44.880 --> 00:08:49.920
him with a menacing scrape. She’s got to be&nbsp;
around here somewhere. He checks behind some&nbsp;&nbsp;

00:08:49.920 --> 00:08:55.520
old cement drums. Nothing. He takes the&nbsp;
time to peer around each concrete pillar,&nbsp;&nbsp;

00:08:55.520 --> 00:08:59.440
his nice shoes making a pleasing&nbsp;
tap, tap, tap on the ground.

00:09:00.040 --> 00:09:04.920
“I know you’re around here somewhere,”&nbsp;
he says. “Don’t think you’re getting one&nbsp;&nbsp;

00:09:04.920 --> 00:09:11.760
over on me. This is the fun part;&nbsp;
I’m just working up an appetite.”

00:09:11.760 --> 00:09:16.760
This is where he makes his fatal error.&nbsp;
He’s wearing a nice pair of lace-up shoes,&nbsp;&nbsp;

00:09:16.760 --> 00:09:22.280
and she isn’t wearing anything on her feet at&nbsp;
all. So while he’s gloating and taunting, he&nbsp;&nbsp;

00:09:22.280 --> 00:09:27.840
can’t hear her quietly walking up behind him. He&nbsp;
doesn’t even realize she’s there until something&nbsp;&nbsp;

00:09:27.840 --> 00:09:32.800
strikes the back of his head with tremendous&nbsp;
force, knocking him to the ground, dazed and&nbsp;&nbsp;

00:09:32.800 --> 00:09:39.000
eyes full of bright white flashes. The axe falls&nbsp;
to the ground next to him, just out of his reach.

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He turns, his hair already dirtied with&nbsp;
blood, and sees her standing over him:&nbsp;&nbsp;

00:09:43.680 --> 00:09:48.000
She’s carrying a length of rebar, the&nbsp;
top curdled into a club of hard concrete,&nbsp;&nbsp;

00:09:48.000 --> 00:09:53.720
stained red. She doesn’t give him a chance&nbsp;
to get out a word, she hits him again and&nbsp;&nbsp;

00:09:53.720 --> 00:10:00.680
again. His arms. His legs. His ribs. His face.&nbsp;
She beats him within an inch of his life and&nbsp;&nbsp;

00:10:00.680 --> 00:10:06.280
leaves him there in the cold, surrounded&nbsp;
by ghostly sheets of billowing plastic.

00:10:06.280 --> 00:10:11.720
The Cannibal lays there, too agonized&nbsp;
to move. It isn’t long before he sees&nbsp;&nbsp;

00:10:11.720 --> 00:10:16.640
the flashing red and blue of police&nbsp;
lights; the wail of sirens. He knows&nbsp;&nbsp;

00:10:16.640 --> 00:10:22.200
his cursed lie of a life is over,&nbsp;
and he can’t even make a run for it.

00:10:22.200 --> 00:10:26.320
What follows is a blur for the Cannibal, but&nbsp;
a major piece of news for everyone who knew&nbsp;&nbsp;

00:10:26.320 --> 00:10:31.360
him. He’s arrested and booked. They search&nbsp;
his apartment and find what the press take&nbsp;&nbsp;

00:10:31.360 --> 00:10:35.680
to calling his “Kill Room”, specially&nbsp;
designed to aid in the butchering and&nbsp;&nbsp;

00:10:35.680 --> 00:10:40.400
devouring of his victims. They find the&nbsp;
evidence in his bedroom safe - Trophies,&nbsp;&nbsp;

00:10:40.400 --> 00:10:44.440
trinkets he’s taken from his former&nbsp;
meals. They definitively connect him&nbsp;&nbsp;

00:10:44.440 --> 00:10:50.280
to twelve different local disappearances,&nbsp;
none of which he has convincing alibis for.

00:10:50.280 --> 00:10:56.120
In other words, the Cannibal, who has given&nbsp;
this fate to so many others… Is cooked.

00:10:56.120 --> 00:10:59.960
Because of the publicity around the case,&nbsp;
and the grand sense of public shock,&nbsp;&nbsp;

00:10:59.960 --> 00:11:04.120
the judge felt pressured to throw the book&nbsp;
at the Cannibal. He was sentenced to death&nbsp;&nbsp;

00:11:04.120 --> 00:11:08.680
by lethal injection. Upon hearing the&nbsp;
sentence, the Cannibal bursts into&nbsp;&nbsp;

00:11:08.680 --> 00:11:13.440
tears in the court room. It becomes a viral&nbsp;
twitter moment. He spends a quarter of the&nbsp;&nbsp;

00:11:13.440 --> 00:11:19.960
time a typical convict spends on death row -&nbsp;
it’s a quiet and lonely time. A living hell.

00:11:19.960 --> 00:11:25.240
At least, he thinks, it’ll be over when they’ve&nbsp;
pumped him full of deadly chemicals. The hatred.&nbsp;&nbsp;

00:11:25.240 --> 00:11:30.840
The humiliation. He won’t be able to hear it&nbsp;
anymore. It comforts him as they strap him down&nbsp;&nbsp;

00:11:30.840 --> 00:11:36.880
to the gurney and insert the syringes&nbsp;
into his veins. Everything goes dark.

00:11:36.880 --> 00:11:43.640
And then he wakes up in neither Heaven nor&nbsp;
Hell. He wakes up in a crowded secure bunk&nbsp;&nbsp;

00:11:43.640 --> 00:11:49.040
wearing an orange jumpsuit, surrounded by&nbsp;
so many others like him. Other haunted,&nbsp;&nbsp;

00:11:49.040 --> 00:11:54.920
broken men, confused and huddled. Occasionally,&nbsp;
armed men would enter the bunk and remove one or&nbsp;&nbsp;

00:11:54.920 --> 00:12:01.680
two of the orange jumpsuited men. Sometimes they&nbsp;
would come back. Most of the time, they wouldn’t.

00:12:01.680 --> 00:12:05.800
The Cannibal notices one man coming in&nbsp;
and out. Every time, he seems a little&nbsp;&nbsp;

00:12:05.800 --> 00:12:11.360
more shaken. Driven by his curiosity, the&nbsp;
Cannibal approaches this veteran prisoner&nbsp;&nbsp;

00:12:11.360 --> 00:12:16.800
and asks him what’s out there. Who are their&nbsp;
captors? What is going to happen to them here?

00:12:16.800 --> 00:12:20.680
The answer he hears fills him with terrible dread.

00:12:20.680 --> 00:12:24.680
They’re in some kind of laboratory. When&nbsp;
they’re extracted from the bunk and taken&nbsp;&nbsp;

00:12:24.680 --> 00:12:29.600
out into the testing areas, they’re&nbsp;
exposed to cursed objects. Monsters.&nbsp;&nbsp;

00:12:29.600 --> 00:12:34.640
Entities beyond comprehension. The veteran&nbsp;
tells the Cannibal about a giant reptile,&nbsp;&nbsp;

00:12:34.640 --> 00:12:39.560
perpetually submerged in a giant tank of&nbsp;
acid. A plague doctor forever working on&nbsp;&nbsp;

00:12:39.560 --> 00:12:44.800
Frankenstein-esque zombies, cobbled out of&nbsp;
the corpses of their kind. That terrible&nbsp;&nbsp;

00:12:44.800 --> 00:12:50.560
rotten man in the dark room, who can&nbsp;
go through walls and feeds on pain.

00:12:50.560 --> 00:12:53.960
Eventually, every single one of&nbsp;
them will be called out to face&nbsp;&nbsp;

00:12:53.960 --> 00:13:00.400
judgment. To be the subject of some terrible&nbsp;
experiment. Perhaps it’s worse than hell:&nbsp;&nbsp;

00:13:00.400 --> 00:13:04.560
The eventual fate, and the&nbsp;
seemingly eternal wait for it.

00:13:04.560 --> 00:13:09.960
When the time comes, the Cannibal’s number is&nbsp;
called. A pair of strangers in black tactical&nbsp;&nbsp;

00:13:09.960 --> 00:13:14.560
gear and pistols holstered at their hips.&nbsp;
He feels cold sweat congregating on his&nbsp;&nbsp;

00:13:14.560 --> 00:13:19.640
brow. Is this it? Is he going to be&nbsp;
fed to monsters or shoved into some&nbsp;&nbsp;

00:13:19.640 --> 00:13:24.640
nightmarish pocket dimension? Used for&nbsp;
live target practice or in some twisted&nbsp;&nbsp;

00:13:24.640 --> 00:13:29.200
experiment by an immortal plague doctor?&nbsp;
After having his head filled with horror&nbsp;&nbsp;

00:13:29.200 --> 00:13:36.840
stories by all his fellow prisoners, he&nbsp;
feels fear. True and pure and paralyzing.

00:13:36.840 --> 00:13:42.520
Is this how all of his victims felt before&nbsp;
the knife slashed or the axe came down?

00:13:42.520 --> 00:13:47.440
The men in the tactical gear walk him down a&nbsp;
long, narrow alleyway into another secure room.&nbsp;&nbsp;

00:13:47.440 --> 00:13:51.600
It reminds him of the police interrogation&nbsp;
room he’d seen when he was first arrested:&nbsp;&nbsp;

00:13:51.600 --> 00:13:57.800
Plain white tiles, a metal table in the middle of&nbsp;
the room. He’s encouraged to sit and he does so,&nbsp;&nbsp;

00:13:57.800 --> 00:14:02.800
feeling his heart pound away in his rib&nbsp;
cage - a prisoner inside a prisoner. It&nbsp;&nbsp;

00:14:02.800 --> 00:14:08.000
feels like he’s waiting for an eternity for&nbsp;
that door to open, and a scientist to walk in.

00:14:08.000 --> 00:14:15.160
The scientist is carrying a paper bag. A bag that&nbsp;
might contain all manner of inconceivable horrors.&nbsp;&nbsp;

00:14:15.160 --> 00:14:19.200
The Cannibal even flinches when the scientist&nbsp;
puts it on the table in front of him, expecting&nbsp;&nbsp;

00:14:19.200 --> 00:14:26.120
that something might leap out and attack without&nbsp;
warning. But no, the bag remains deathly still.

00:14:26.120 --> 00:14:29.040
And the scientist encourages him to open it.

00:14:29.680 --> 00:14:34.320
With trepidation in his pounding heart,&nbsp;
the Cannibal opens the bag and reaches&nbsp;&nbsp;

00:14:34.320 --> 00:14:42.200
inside. Waiting for him within is a hamburger.&nbsp;
Still warm. He wonders at the catch - Will the&nbsp;&nbsp;

00:14:42.200 --> 00:14:47.640
burger eat him? Will he explode after taking&nbsp;
a bite, or turn into stone? Or some kind of&nbsp;&nbsp;

00:14:47.640 --> 00:14:54.280
monster? All the horrible possibilities feel&nbsp;
infinite. He tries to delay. To stall. But the&nbsp;&nbsp;

00:14:54.280 --> 00:15:00.560
inevitability of it all sinks in: He needs&nbsp;
to take a bite of the terrifying burger.

00:15:00.560 --> 00:15:07.000
The Cannibal sinks his teeth in, taking a cautious&nbsp;
bite and waiting for the other shoe to drop. But,&nbsp;&nbsp;

00:15:07.000 --> 00:15:13.080
to his immense surprise, it just seems&nbsp;
to be… A normal burger. He takes a look&nbsp;&nbsp;

00:15:13.080 --> 00:15:18.960
at the brown paper bag again. There’s a faded&nbsp;
logo on it reading, “Quick an’ Ready Mealz.”

00:15:18.960 --> 00:15:24.280
He’s confused. The researcher clears&nbsp;
their throat, and asks a single question:&nbsp;&nbsp;

00:15:24.280 --> 00:15:28.000
“Did what you just eat have the&nbsp;
taste and texture of human flesh?”

00:15:28.000 --> 00:15:33.440
The Cannibal, wondering if this is some&nbsp;
kind of trick question, shakes his head. No,&nbsp;&nbsp;

00:15:33.440 --> 00:15:37.480
it’s just a perfectly normal&nbsp;
burger. What’s the catch?

00:15:37.480 --> 00:15:41.800
But he never finds out the catch. Instead,&nbsp;
the researcher thanks him for his time,&nbsp;&nbsp;

00:15:41.800 --> 00:15:45.880
and the guards take him back to his cell to&nbsp;
await some other experiment that requires his&nbsp;&nbsp;

00:15:45.880 --> 00:15:55.360
services. He’ll never know the truth of SCP-971.&nbsp;
But you will, dear viewer - right now, in fact.

00:15:55.360 --> 00:16:00.760
SCP-971 refers to a collection of worn takeout&nbsp;
menus from an unknown food delivery service&nbsp;&nbsp;

00:16:00.760 --> 00:16:06.360
going by the name “Quick N’ Ready Mealz.” Its&nbsp;
supposed parent company denies any knowledge of&nbsp;&nbsp;

00:16:06.360 --> 00:16:12.360
its existence, and no official business records of&nbsp;
the company have been found. To the untrained eye,&nbsp;&nbsp;

00:16:12.360 --> 00:16:17.200
they don’t even appear to be out of the ordinary.&nbsp;
The menu lists several standard takeout items:&nbsp;&nbsp;

00:16:17.200 --> 00:16:21.360
Burgers, chicken sandwiches,&nbsp;
chicken fingers, fries, and soda.

00:16:21.360 --> 00:16:24.960
If you call the number on the menu, you’ll be&nbsp;
greeted by an online directory on the other&nbsp;&nbsp;

00:16:24.960 --> 00:16:29.480
side of the line - inviting you to put in the&nbsp;
numbers corresponding to your order. After this,&nbsp;&nbsp;

00:16:29.480 --> 00:16:33.000
your credit card will be charged and,&nbsp;
within fifteen to twenty minutes,&nbsp;&nbsp;

00:16:33.000 --> 00:16:37.320
a paper bag bearing the Quick N’ Ready&nbsp;
Mealz logo will appear on your doorstep.&nbsp;&nbsp;

00:16:37.320 --> 00:16:42.520
You’ll probably enjoy the meal, except for&nbsp;
one thing… Even if you ordered chicken,&nbsp;&nbsp;

00:16:42.520 --> 00:16:46.200
you won’t quite be able to place the&nbsp;
flavor of the meat you’re eating.

00:16:46.200 --> 00:16:51.800
That’s where our Cannibal came in - better&nbsp;
known to the Foundation as D-1282. Naturally,&nbsp;&nbsp;

00:16:51.800 --> 00:16:56.320
the Foundation’s first theory as to the&nbsp;
nature of the SCP-971 mystery meat was&nbsp;&nbsp;

00:16:56.320 --> 00:16:59.080
that it was human flesh. There was no real reason&nbsp;&nbsp;

00:16:59.080 --> 00:17:03.240
for this, other than the fact that, when the&nbsp;
Foundation deals with meat-based anomalies,&nbsp;&nbsp;

00:17:03.240 --> 00:17:08.960
it often ends up being some variation on human&nbsp;
flesh. However, when our fine young cannibal&nbsp;&nbsp;

00:17:08.960 --> 00:17:15.800
took a bite of his SCP-971 burger, he was just&nbsp;
as confused by its contents as anybody else.

00:17:15.800 --> 00:17:18.640
That’s because the contents&nbsp;
of the meat wasn’t, in fact,&nbsp;&nbsp;

00:17:18.640 --> 00:17:23.280
human flesh. It was something much, much stranger.

00:17:23.280 --> 00:17:29.280
All of the meat from SCP-971 has been sourced&nbsp;
from animals on the EEC Endangered Animals List,&nbsp;&nbsp;

00:17:29.280 --> 00:17:34.840
including pandas, cheetahs, red wolves, and&nbsp;
other endangered mammals. And strangely enough,&nbsp;&nbsp;

00:17:34.840 --> 00:17:39.680
these creatures don’t seem to necessarily be&nbsp;
harmed by the process. After the ordering of&nbsp;&nbsp;

00:17:39.680 --> 00:17:45.160
the SCP-971 meals with meat content, endangered&nbsp;
animals in the surrounding area were weighed,&nbsp;&nbsp;

00:17:45.160 --> 00:17:49.040
and were found to have lower biomass&nbsp;
than they previously did. Of course,&nbsp;&nbsp;

00:17:49.040 --> 00:17:53.480
if enough orders were made this might eventually&nbsp;
create an existential threat for the animals,&nbsp;&nbsp;

00:17:53.480 --> 00:17:58.400
but so far, there have been no reported&nbsp;
animal deaths connected to the anomaly.

00:17:58.400 --> 00:18:02.840
But other than this, there have been no&nbsp;
reported anomalous effects. No memetic&nbsp;&nbsp;

00:18:02.840 --> 00:18:07.480
hazards. No compulsive behavior. The food&nbsp;
has no meaningful effect on the consumer,&nbsp;&nbsp;

00:18:07.480 --> 00:18:11.280
and most people who order the food will&nbsp;
not know that they’ve even engaged with&nbsp;&nbsp;

00:18:11.280 --> 00:18:15.520
an anomaly. Aside from the menus already&nbsp;
in storage, the going orders to field&nbsp;&nbsp;

00:18:15.520 --> 00:18:19.640
agents are to log and destroy any of&nbsp;
the menus they might find in the wild.

00:18:19.640 --> 00:18:22.000
As an incredibly low-risk Safe class,&nbsp;&nbsp;

00:18:22.000 --> 00:18:26.080
the surviving Quick N’ Ready Mealz menus&nbsp;
are kept in filing cabinet number 26 in&nbsp;&nbsp;

00:18:26.080 --> 00:18:30.640
the Site 19 file vault. In order to&nbsp;
requisition the menu for testing,&nbsp;&nbsp;

00:18:30.640 --> 00:18:35.480
you need permission from a member of personnel&nbsp;
ranked at Level 4 or above - Though tests are&nbsp;&nbsp;

00:18:35.480 --> 00:18:41.120
not permitted more than once a week due to the&nbsp;
potentially detrimental environmental impact.

00:18:41.120 --> 00:18:44.800
If you’re anything like me, there’s a&nbsp;
drawer or cabinet in your home that’s&nbsp;&nbsp;

00:18:44.800 --> 00:18:49.200
spent the last several years accumulating a&nbsp;
large number of local takeout menus - Many&nbsp;&nbsp;

00:18:49.200 --> 00:18:53.040
of which you can’t quite place a point&nbsp;
of origin for. In case you’re worried&nbsp;&nbsp;

00:18:53.040 --> 00:18:57.560
that your next late night snack session could&nbsp;
lead to harm befalling an endangered animal,&nbsp;&nbsp;

00:18:57.560 --> 00:19:02.160
might I recommend just playing it safe&nbsp;
and using DoorDash instead. #NotSponsored.

00:19:02.160 --> 00:19:07.200
Check out the Doctor Bob Patreon and&nbsp;
become a junior researcher today! Now go&nbsp;&nbsp;

00:19:07.200 --> 00:19:15.080
and watch another entry from the files of&nbsp;
Doctor Bob, SCP-2611 Large and In Charge!

