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The detective runs through the darkened warehouse,&nbsp;
gun drawn, weaving between stacks of crates as he&nbsp;&nbsp;

00:00:05.680 --> 00:00:12.560
follows the sound of heavy, thumping footsteps. Up&nbsp;
ahead, a flash of yellow, a jaundiced face ducking&nbsp;&nbsp;

00:00:12.560 --> 00:00:21.160
around a corner. He raises his weapon, and fires.&nbsp;
Up ahead, the perp cries out in pain, "D'oh!"

00:00:21.160 --> 00:00:26.160
He takes a step toward the body, now&nbsp;
limp on the ground, bulbous eyes glassy,&nbsp;&nbsp;

00:00:26.160 --> 00:00:30.400
a pink-frosted donut clutched&nbsp;
in his stiffening hand. How&nbsp;&nbsp;

00:00:30.400 --> 00:00:37.440
did he get here? How did it come to&nbsp;
this? It all started with a file...

00:00:37.440 --> 00:00:42.200
"Nobody's got a damn idea what to make of this."&nbsp;
The detective looks up from his lukewarm cup of&nbsp;&nbsp;

00:00:42.200 --> 00:00:46.560
bitter coffee at the sound of his superior&nbsp;
officer's voice, just in time to see the man&nbsp;&nbsp;

00:00:46.560 --> 00:00:52.840
slap a file down onto the desk in front of him.&nbsp;
"See if you can figure it out, eh whiz kid?"

00:00:52.840 --> 00:00:57.160
He's so tired of that nickname. Sure, he's&nbsp;
the youngest detective at the precinct,&nbsp;&nbsp;

00:00:57.160 --> 00:01:00.640
with record-breaking test scores out&nbsp;
of the police academy, but that should&nbsp;&nbsp;

00:01:00.640 --> 00:01:06.120
make people take him more seriously, not&nbsp;
less. Right? He doesn't object though,&nbsp;&nbsp;

00:01:06.120 --> 00:01:11.320
he learned that lesson on his first day. Better to&nbsp;
just let his actions speak louder than his words,&nbsp;&nbsp;

00:01:11.320 --> 00:01:16.520
and show his worth via thorough police&nbsp;
work. And if this file was about a case&nbsp;&nbsp;

00:01:16.520 --> 00:01:21.200
no one could crack, then he would&nbsp;
have to be the one to crack it!

00:01:21.200 --> 00:01:22.800
"Sure, I'll take a look."

00:01:22.800 --> 00:01:27.040
He waits for the other man to leave, takes an&nbsp;
immediately regrettable sip of that terrible&nbsp;&nbsp;

00:01:27.040 --> 00:01:32.000
breakroom coffee, and opens the file. For&nbsp;
once, he's grateful for the unimpressive&nbsp;&nbsp;

00:01:32.000 --> 00:01:36.240
temperature of the beverage, because as soon&nbsp;
as his eyes land on the crime scene photos,&nbsp;&nbsp;

00:01:36.240 --> 00:01:41.240
he spits it out in shock. The deceased&nbsp;
is a businessman in his mid thirties,&nbsp;&nbsp;

00:01:41.240 --> 00:01:45.120
according to the case file. No mention&nbsp;
of any unusual medical conditions,&nbsp;&nbsp;

00:01:45.120 --> 00:01:50.240
and the toxicology report came back clean.&nbsp;
He died from accidental head trauma after he&nbsp;&nbsp;

00:01:50.240 --> 00:01:55.320
slipped on the stairs of his apartment complex.&nbsp;
All in all, it shouldn't be an unusual case,&nbsp;&nbsp;

00:01:55.320 --> 00:02:01.440
or even cause for police investigation in the&nbsp;
first place. But those pictures...they tell a&nbsp;&nbsp;

00:02:01.440 --> 00:02:07.640
different story, even though the young detective&nbsp;
still isn't quite sure what that story is.

00:02:07.640 --> 00:02:12.800
The victim, if he can be called that in an&nbsp;
apparently accidental death, is jaundiced to the&nbsp;&nbsp;

00:02:12.800 --> 00:02:18.560
point of his skin taking on a cartoonish yellow&nbsp;
hue. He is completely bald, in spite of reports&nbsp;&nbsp;

00:02:18.560 --> 00:02:24.600
that only weeks prior to his death he had a full&nbsp;
head of hair. And his eyes...they're wide open,&nbsp;&nbsp;

00:02:24.600 --> 00:02:29.920
but that isn't all. They bulge out of his skull&nbsp;
in the most severe case of proptosis that the&nbsp;&nbsp;

00:02:29.920 --> 00:02:34.640
detective has ever seen. The victim's eyes aren't&nbsp;
just open- he couldn't have closed them if he&nbsp;&nbsp;

00:02:34.640 --> 00:02:40.880
wanted to. The detective feels a bit queasy, and&nbsp;
a little bit ashamed of himself. He can't help but&nbsp;&nbsp;

00:02:40.880 --> 00:02:48.600
think that the man in these pictures, this poor,&nbsp;
deceased man, looks just like...Homer Simpson?!

00:02:48.600 --> 00:02:52.280
But before we go any further,&nbsp;
I have a question for you -&nbsp;

00:02:52.280 --> 00:02:57.160
Does something feel wrong… with you? Is there&nbsp;
something interfering with your happiness&nbsp;&nbsp;

00:02:57.160 --> 00:03:01.720
or preventing you from achieving your goals?
Regardless if you have a clinical mental health&nbsp;&nbsp;

00:03:01.720 --> 00:03:06.360
issue like depression or anxiety, or if you're&nbsp;
just a human who lives in this world who is going&nbsp;&nbsp;

00:03:06.360 --> 00:03:11.080
through a hard time, therapy can give you tools&nbsp;
to approach your life in a very different way.&nbsp;

00:03:11.080 --> 00:03:15.160
And that’s why I’m excited to tell&nbsp;
you about today’s sponsor, BetterHelp.&nbsp;

00:03:15.160 --> 00:03:18.960
BetterHelp’s mission is to make therapy&nbsp;
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00:03:18.960 --> 00:03:23.640
and this is an important mission because finding&nbsp;
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00:03:23.640 --> 00:03:27.640
you’re limited to the options in your area.
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00:03:27.640 --> 00:03:32.560
a therapist easier because it’s online, it’s
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00:03:32.560 --> 00:03:36.800
BetterHelp can match you to a professional&nbsp;
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00:03:36.800 --> 00:03:40.000
It's easy to sign up and get matched&nbsp;
with a therapist. There's a link in&nbsp;&nbsp;

00:03:40.000 --> 00:03:46.320
my description. It's betterhelp.com/drbob
Clicking that link helps support this channel,&nbsp;&nbsp;

00:03:46.320 --> 00:03:50.240
but it also gets you 10% off your first&nbsp;
month of BetterHelp so you can connect&nbsp;&nbsp;

00:03:50.240 --> 00:03:54.160
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00:03:54.160 --> 00:03:58.720
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00:03:58.720 --> 00:04:03.880
you can easily switch to a new therapist at no&nbsp;
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00:04:03.880 --> 00:04:08.440
who's in your network, or anything like that.
So if you’re struggling, consider online therapy&nbsp;&nbsp;

00:04:08.440 --> 00:04:12.120
with BetterHelp. Click the link in the&nbsp;
description or visit betterhelp.com/drbob&nbsp;

00:04:14.280 --> 00:04:16.800
Thank you again BetterHelp&nbsp;
for supporting this channel.&nbsp;

00:04:16.800 --> 00:04:20.040
But as I was saying about Homer Simpson

00:04:20.040 --> 00:04:24.280
That does it. This must be a prank. The other&nbsp;
detectives wanted to play a trick on the whiz&nbsp;&nbsp;

00:04:24.280 --> 00:04:29.200
kid. Well, he doesn't find it funny! He marches&nbsp;
into the police captain's office to complain about&nbsp;&nbsp;

00:04:29.200 --> 00:04:35.000
the hazing, but is shocked to find that this is&nbsp;
no prank. The Captain assures him that no, this&nbsp;&nbsp;

00:04:35.000 --> 00:04:40.880
case is all too real. The unusual transformations&nbsp;
that the victim's body underwent before his death&nbsp;&nbsp;

00:04:40.880 --> 00:04:45.800
have the department concerned about foul play,&nbsp;
perhaps the presence of some sort of chemical&nbsp;&nbsp;

00:04:45.800 --> 00:04:52.120
weapon or other poison that is undetectable on tox&nbsp;
screenings. Whatever happened to this unfortunate&nbsp;&nbsp;

00:04:52.120 --> 00:04:58.160
man, it's the detective's job to get to the bottom&nbsp;
of it. No matter how absurd it may seem, it is&nbsp;&nbsp;

00:04:58.160 --> 00:05:04.560
quite serious, and there's a chance that more&nbsp;
people could die if they don't solve this mystery.

00:05:04.560 --> 00:05:09.520
First thing's first, the detective needs&nbsp;
to investigate the crime scene. He travels&nbsp;&nbsp;

00:05:09.520 --> 00:05:13.600
to the dead businessman's apartment,&nbsp;
and lets himself in. It's been a few&nbsp;&nbsp;

00:05:13.600 --> 00:05:18.360
days since CSI came through here, and it's&nbsp;
unlikely he'll spot anything they missed,&nbsp;&nbsp;

00:05:18.360 --> 00:05:22.680
but better safe than sorry. The&nbsp;
place smells musty and foul,&nbsp;&nbsp;

00:05:22.680 --> 00:05:29.640
like body odor mixed with old pizza, spilled&nbsp;
beer soaking into the carpet, and stale donuts.

00:05:30.160 --> 00:05:35.400
Aside from the unpleasant smell, it looks&nbsp;
relatively normal. No signs of a struggle,&nbsp;&nbsp;

00:05:35.400 --> 00:05:39.600
just like the report said. He checks&nbsp;
the bedroom first, then the kitchen,&nbsp;&nbsp;

00:05:39.600 --> 00:05:44.040
the bathroom, and then he's back in the&nbsp;
living room. Just a couch, a coffee table,&nbsp;&nbsp;

00:05:44.040 --> 00:05:50.920
and a television in here. Wait. What's that?&nbsp;
On the cable box, a strange marking catches his&nbsp;&nbsp;

00:05:50.920 --> 00:05:56.520
eye. The detective takes a closer look, and sees&nbsp;
that there is an arcane symbol carved into the&nbsp;&nbsp;

00:05:56.520 --> 00:06:02.800
cable box. He snaps a picture of the symbol,&nbsp;
reminding himself to look it up later. Then,&nbsp;&nbsp;

00:06:02.800 --> 00:06:07.360
he picks up the remote and switches on the&nbsp;
television. Might as well check out the channel&nbsp;&nbsp;

00:06:07.360 --> 00:06:12.840
the victim watched before he died. The screen&nbsp;
lights up and fills the room with a soft blue&nbsp;&nbsp;

00:06:12.840 --> 00:06:20.680
glow. What channel is this? In the corner of the&nbsp;
screen, there is no number, only the letter "X."

00:06:20.680 --> 00:06:25.040
Channel X? The detective's never heard&nbsp;
of it, and there was no mention of it,&nbsp;&nbsp;

00:06:25.040 --> 00:06:29.560
or the symbol, anywhere in the case file.&nbsp;
It's not much, but it's a good start.

00:06:30.960 --> 00:06:36.160
He switches the tv back off, and heads back to the&nbsp;
station to look into these new leads. The bizarre&nbsp;&nbsp;

00:06:36.160 --> 00:06:41.960
case is just getting stranger and stranger, with&nbsp;
no real answers in sight. Back at the station,&nbsp;&nbsp;

00:06:41.960 --> 00:06:47.400
he calls around to various television providers.&nbsp;
None of them know anything about this Channel X.&nbsp;&nbsp;

00:06:47.400 --> 00:06:52.600
They don't provide it, and they've never even&nbsp;
heard of it. He can't find much on the symbol,&nbsp;&nbsp;

00:06:52.600 --> 00:06:57.000
either. He does a reverse image search, but&nbsp;
the only mention of it he comes across is a&nbsp;&nbsp;

00:06:57.000 --> 00:07:01.320
post on a tech support forum, advising&nbsp;
viewers to fix their broken cable box&nbsp;&nbsp;

00:07:01.320 --> 00:07:06.600
by reconnecting the wires, and carving this&nbsp;
symbol into the side with a knife. There's&nbsp;&nbsp;

00:07:06.600 --> 00:07:11.640
no way that would work...right? But then&nbsp;
again, the victim's television turned on,&nbsp;&nbsp;

00:07:11.640 --> 00:07:17.400
even though the building had suspended its&nbsp;
cable service...this was all just too weird!

00:07:17.400 --> 00:07:21.640
The detective slumps back in his seat,&nbsp;
cradling his head in his hands. Even&nbsp;&nbsp;

00:07:21.640 --> 00:07:26.640
his leads are turning into culdesacs.&nbsp;
What else could he possibly try? He is&nbsp;&nbsp;

00:07:26.640 --> 00:07:31.160
just about to call it a night and head&nbsp;
home, when his phone begins to ring.

00:07:31.160 --> 00:07:35.880
He picks up, and a beat cop on the other side&nbsp;
stammers, "Hey you're the guy investigating&nbsp;&nbsp;

00:07:35.880 --> 00:07:40.880
that uh...Simpsons case, right? Because&nbsp;
I think you're gonna want to see this."

00:07:40.880 --> 00:07:43.160
The cop on the phone gives&nbsp;
the detective an address,&nbsp;&nbsp;

00:07:43.160 --> 00:07:48.520
and advises him to come right away. He's not sure&nbsp;
what could possibly be waiting for him there,&nbsp;&nbsp;

00:07:48.520 --> 00:07:52.880
after all, nothing could be stranger&nbsp;
than those crime scene photos, right?

00:07:52.880 --> 00:07:58.080
When he arrives, the outside of the house is&nbsp;
blocked off with crime scene tape. So that's it,&nbsp;&nbsp;

00:07:58.080 --> 00:08:02.960
they've found another body, one like&nbsp;
the first victim. Well…not exactly like&nbsp;&nbsp;

00:08:02.960 --> 00:08:08.040
the first victim. As soon as he crosses&nbsp;
the threshold of the house, he spots it:&nbsp;&nbsp;

00:08:08.040 --> 00:08:13.320
that same sickly yellow complexion, like no&nbsp;
human being has ever looked- save for the one&nbsp;&nbsp;

00:08:13.320 --> 00:08:20.800
victim he’s already seen. He can see photographs&nbsp;
on the wall of the house’s resident- now former&nbsp;&nbsp;

00:08:20.800 --> 00:08:26.160
resident. She was once an olive skinned&nbsp;
woman with long, wavy dark hair. Now,&nbsp;&nbsp;

00:08:26.160 --> 00:08:30.800
lying on the floor of her kitchen, she&nbsp;
is unrecognizable as the same person.

00:08:30.800 --> 00:08:36.160
Her skin is yellowed, her eyes bulging out&nbsp;
of her head in that same, haunting way. She&nbsp;&nbsp;

00:08:36.160 --> 00:08:41.080
isn’t bald like the previous victim, though.&nbsp;
Her hair coiled into a mass of tight curls,&nbsp;&nbsp;

00:08:41.080 --> 00:08:44.840
shooting straight up from the crown&nbsp;
of her head in an exaggerated beehive&nbsp;&nbsp;

00:08:44.840 --> 00:08:51.360
style. And the color…it’s bright blue!&nbsp;
The detective covers his mouth in horror,&nbsp;&nbsp;

00:08:51.360 --> 00:08:58.200
his stomach turning. It can’t be. But&nbsp;
it is. This new victim, she looks just&nbsp;&nbsp;

00:08:58.200 --> 00:09:05.520
like Marge Simpson. What sort of sick, adult&nbsp;
animation-obsessed mind could be behind this?

00:09:05.520 --> 00:09:10.520
After examining the body, the detective begins&nbsp;
to inspect the crime scene. Again, no signs of&nbsp;&nbsp;

00:09:10.520 --> 00:09:17.000
foul play, but it just can't be a coincidence. Two&nbsp;
people don't just transform into hideous real-life&nbsp;&nbsp;

00:09:17.000 --> 00:09:22.560
cartoons- members of the same family, at that,&nbsp;
and drop dead in the same week! It just doesn't&nbsp;&nbsp;

00:09:22.560 --> 00:09:28.160
happen! The victim in the previous case hadn't&nbsp;
shown up for work in weeks. Apparently, the same&nbsp;&nbsp;

00:09:28.160 --> 00:09:33.760
was true for this new victim too. Her friends and&nbsp;
family hadn't heard from her in several weeks,&nbsp;&nbsp;

00:09:33.760 --> 00:09:39.760
aside from the occasional text message stating&nbsp;
that she was fine, just a bit under the weather.

00:09:39.760 --> 00:09:44.320
The transformation must have taken place during&nbsp;
that time. The detective is just about to leave&nbsp;&nbsp;

00:09:44.320 --> 00:09:50.080
the crime scene and head back to the station,&nbsp;
when an impulse hits him: check the cable box.&nbsp;&nbsp;

00:09:50.080 --> 00:09:55.920
He rushes to the box, and finds...the same&nbsp;
symbol, carved in with a knife. There is&nbsp;&nbsp;

00:09:55.920 --> 00:10:01.480
something terrible happening here, he knows it.&nbsp;
Once he puts the puzzle pieces together, he'll&nbsp;&nbsp;

00:10:01.480 --> 00:10:07.560
understand exactly what, but he's beginning to&nbsp;
get the feeling that it won't be a pretty picture.

00:10:07.560 --> 00:10:11.720
First thing's first, he needs to go home&nbsp;
and get some sleep. Then, in the morning,&nbsp;&nbsp;

00:10:11.720 --> 00:10:16.240
he can start trying to track down the origins&nbsp;
of this symbol, and this mysterious Channel&nbsp;&nbsp;

00:10:16.240 --> 00:10:21.960
X. He wakes up the next morning with fresh&nbsp;
eyes and a renewed sense of determination.&nbsp;&nbsp;

00:10:21.960 --> 00:10:27.400
Whoever is behind this, they can't keep getting&nbsp;
away with it! He won't let them. He knows he&nbsp;&nbsp;

00:10:27.400 --> 00:10:30.840
should play this by the book, should work&nbsp;
within the department to solve the case,&nbsp;&nbsp;

00:10:30.840 --> 00:10:36.800
but...playing by the book hasn't gotten any of&nbsp;
his superiors anywhere with this mystery yet.

00:10:36.800 --> 00:10:41.320
He calls up an old friend from college, a young&nbsp;
man that has gone into the field of, well, to put&nbsp;&nbsp;

00:10:41.320 --> 00:10:46.840
it politely, computer hacking activities that&nbsp;
are somewhat outside of the law. Knowing it&nbsp;&nbsp;

00:10:46.840 --> 00:10:51.600
could very well be jeopardizing the future of his&nbsp;
career, he sends the information over, the crime&nbsp;&nbsp;

00:10:51.600 --> 00:10:57.560
scene photos, the symbol, and the information on&nbsp;
Channel X. As soon as the hacker sees the crime&nbsp;&nbsp;

00:10:57.560 --> 00:11:03.200
scene photos, he offers to help do whatever he&nbsp;
can to uncover the facts of the case. He'll get&nbsp;&nbsp;

00:11:03.200 --> 00:11:09.280
to work immediately, and report back when he has&nbsp;
any new information on Channel X, or the symbol.

00:11:09.280 --> 00:11:14.080
If the detective was expecting a slow morning&nbsp;
at the precinct, he was sorely mistaken. He's&nbsp;&nbsp;

00:11:14.080 --> 00:11:19.120
barely stepped one foot through the door before&nbsp;
he is pulled aside by the Captain. The case has&nbsp;&nbsp;

00:11:19.120 --> 00:11:24.440
escalated again. Early this morning, another&nbsp;
body was discovered. That's now three victims,&nbsp;&nbsp;

00:11:24.440 --> 00:11:29.960
in one week. They still can't prove foul play,&nbsp;
but there are rumors among the officers that&nbsp;&nbsp;

00:11:29.960 --> 00:11:34.840
this could be some sort of serial killer. The&nbsp;
detective had better skip coffee and get his butt&nbsp;&nbsp;

00:11:34.840 --> 00:11:39.760
to the crime scene, who knows how many more lives&nbsp;
could be at stake? He arrives on the scene, brow&nbsp;&nbsp;

00:11:39.760 --> 00:11:46.120
dotted with nervous sweat, hands clammy and shaky.&nbsp;
What awaits him inside? Another Homer? Another&nbsp;&nbsp;

00:11:46.120 --> 00:11:53.840
Marge? A Bart? A Lisa? Or, God forbid, Maggie?&nbsp;
Nothing could prepare him for what he sees next.

00:11:53.840 --> 00:11:59.560
The victim is an adult man, forty years old. He&nbsp;
was a personal trainer and local football coach,&nbsp;&nbsp;

00:11:59.560 --> 00:12:04.360
but you’d never know it to look at him now.&nbsp;
His skin shares that unnatural yellow pallor,&nbsp;&nbsp;

00:12:04.360 --> 00:12:08.960
of course, but he has features the&nbsp;
other victims lacked. His previous&nbsp;&nbsp;

00:12:08.960 --> 00:12:13.960
muscle tone appears to have dissolved,&nbsp;
leaving him leaner, almost scrawny.

00:12:13.960 --> 00:12:18.800
His previously shaven head is topped with&nbsp;
neatly combed brown hair. He has a matching&nbsp;&nbsp;

00:12:18.800 --> 00:12:24.080
mustache above his upper lip. And on his&nbsp;
face, in spite of his supposed 20/20 vision,&nbsp;&nbsp;

00:12:24.080 --> 00:12:29.760
he has a pair of glasses. CSI attempted to&nbsp;
remove the glasses before the detective arrived,&nbsp;&nbsp;

00:12:29.760 --> 00:12:35.280
and found that they were fused to his face,&nbsp;
as if they had grown out of his skin. The&nbsp;&nbsp;

00:12:35.280 --> 00:12:39.600
same goes for his sweater, a sweater that&nbsp;
none of the man’s loved ones has ever seen&nbsp;&nbsp;

00:12:39.600 --> 00:12:46.200
him wear before. It seems to be part of&nbsp;
his very skin. There’s no mistaking it,&nbsp;&nbsp;

00:12:46.200 --> 00:12:53.440
this burly, gruff man has transformed&nbsp;
into Ned Flanders. And now he’s dead.

00:12:53.440 --> 00:12:58.400
How long is this going to go on? How many people&nbsp;
will lose their identities, their very selves,&nbsp;&nbsp;

00:12:58.400 --> 00:13:03.360
and then their lives? He used to love The&nbsp;
Simpsons, used to laugh and laugh and laugh&nbsp;&nbsp;

00:13:03.360 --> 00:13:08.800
at Bart telling people to eat his shorts, at Homer&nbsp;
being unqualified to work around nuclear material,&nbsp;&nbsp;

00:13:08.800 --> 00:13:15.640
and at Lisa being smarter than all of them.&nbsp;
But now, it all seems...tainted. There's only&nbsp;&nbsp;

00:13:15.640 --> 00:13:20.240
one way to keep this city safe, and reclaim&nbsp;
the magic of The Simpsons from whoever has&nbsp;&nbsp;

00:13:20.240 --> 00:13:25.760
corrupted it in this way. He needs to&nbsp;
track down the creator of Channel X,&nbsp;&nbsp;

00:13:25.760 --> 00:13:32.760
and stop them for good. No matter what it takes.&nbsp;
But right now, he feels like Sideshow Bob,&nbsp;&nbsp;

00:13:32.760 --> 00:13:39.760
stepping on the same rake over and over again.&nbsp;
He needs some fresh intel to break the cycle.

00:13:39.760 --> 00:13:41.960
As if in answer to his silent prayer,&nbsp;&nbsp;

00:13:41.960 --> 00:13:48.080
his cell phone rings. The hacker! He answers&nbsp;
right away, hoping for a bit of good news.

00:13:48.080 --> 00:13:52.000
"So that symbol, you weren't kidding.&nbsp;
It seems like it popped up out of&nbsp;&nbsp;

00:13:52.000 --> 00:13:55.600
nowhere. Same with this channel. I&nbsp;
wasn't able to trace the broadcast,&nbsp;&nbsp;

00:13:55.600 --> 00:14:00.960
I'm sorry. But! I've got some good news too.&nbsp;
The only person who ever posted that symbol,&nbsp;&nbsp;

00:14:00.960 --> 00:14:05.680
the forum post you told me about, I was able&nbsp;
to trace their IP address. It was uploaded from&nbsp;&nbsp;

00:14:05.680 --> 00:14:09.920
an abandoned warehouse on the edge of town.&nbsp;
According to some neighborhood chatter apps,&nbsp;&nbsp;

00:14:09.920 --> 00:14:14.880
folks have heard strange sounds coming from&nbsp;
that warehouse over the prior month. I'm no cop,&nbsp;&nbsp;

00:14:14.880 --> 00:14:20.680
but I'm willing to bet that's the origin of the&nbsp;
broadcast, and that's where you'll find your guy."

00:14:20.680 --> 00:14:24.240
The detective jots down the address, and&nbsp;
promises to buy the hacker a burger next&nbsp;&nbsp;

00:14:24.240 --> 00:14:28.400
time they see each other. If he makes it out&nbsp;
of his confrontation with the mastermind alive,&nbsp;&nbsp;

00:14:28.400 --> 00:14:32.960
at least. He briefly considers waiting&nbsp;
until nightfall and trying to sneak in,&nbsp;&nbsp;

00:14:32.960 --> 00:14:37.120
but if he waits that long, the culprit might&nbsp;
realize that the detective is closing in on&nbsp;&nbsp;

00:14:37.120 --> 00:14:41.840
him! And there could be another victim by&nbsp;
then! No, there's no time to waste. Forget&nbsp;&nbsp;

00:14:41.840 --> 00:14:46.640
about doing this by the book, he's&nbsp;
always been more of a TV guy anyway.

00:14:46.640 --> 00:14:50.480
He takes his own car, better to avoid setting&nbsp;
off any alarm bells that might come with the&nbsp;&nbsp;

00:14:50.480 --> 00:14:54.960
sight of a police car pulling up to the&nbsp;
warehouse. As he steps out of the car,&nbsp;&nbsp;

00:14:54.960 --> 00:15:00.240
he gets his weapon ready, and sizes&nbsp;
up the place. It really is abandoned,&nbsp;&nbsp;

00:15:00.240 --> 00:15:05.520
it looks like it hasn't been used in a decade.&nbsp;
But there, on the roof, he can just barely make&nbsp;&nbsp;

00:15:05.520 --> 00:15:13.520
out some sort of...tv antenna? This is definitely&nbsp;
the place. Now, what to do? He racks his brain,&nbsp;&nbsp;

00:15:13.520 --> 00:15:18.800
trying to remember his training, but they didn't&nbsp;
exactly train him for situations like this.

00:15:18.800 --> 00:15:22.880
What if he's wrong about the broadcast being&nbsp;
responsible, and it's some kind of chemical&nbsp;&nbsp;

00:15:22.880 --> 00:15:27.200
weapon after all? What if he busts down&nbsp;
the door and finds himself exposed to the&nbsp;&nbsp;

00:15:27.200 --> 00:15:32.000
same agent, transformed into a resident&nbsp;
of Springfield and doomed forever? Well,&nbsp;&nbsp;

00:15:32.000 --> 00:15:36.040
that's the sort of risk he signed on for&nbsp;
when he joined the force, he supposes.

00:15:36.040 --> 00:15:40.920
There's no going back. He creeps around to&nbsp;
the back entrance of the warehouse, winds up,&nbsp;&nbsp;

00:15:40.920 --> 00:15:45.640
and breaks it down with his shoulder. It takes&nbsp;
a moment for his eyes to adjust to the darkness&nbsp;&nbsp;

00:15:45.640 --> 00:15:51.600
inside, but when they do, he can still barely&nbsp;
find his way. The place is packed with junk,&nbsp;&nbsp;

00:15:51.600 --> 00:15:56.360
with empty crates and scrap metal piled up&nbsp;
to the ceiling. He'll have to move carefully,&nbsp;&nbsp;

00:15:56.360 --> 00:16:01.640
lest he knock one of the piles over and find&nbsp;
himself caught in an avalanche. He weaves&nbsp;&nbsp;

00:16:01.640 --> 00:16:07.200
through the labyrinth, following the vague blue&nbsp;
glow of a television screen somewhere up ahead.

00:16:07.200 --> 00:16:13.320
Soon enough, he reaches the source of the light.&nbsp;
There, he finds a VHS player, a TV, and a bunch&nbsp;&nbsp;

00:16:13.320 --> 00:16:19.640
of broadcasting equipment he can't identify. On&nbsp;
the TV, an episode of The Simpsons is playing,&nbsp;&nbsp;

00:16:19.640 --> 00:16:26.800
one he's never seen before. It seems familiar&nbsp;
at first, but something is...off about it. The&nbsp;&nbsp;

00:16:26.800 --> 00:16:31.280
characters keep looking right at him, staring&nbsp;
down the barrel of the camera and locking eyes&nbsp;&nbsp;

00:16:31.280 --> 00:16:38.440
with the detective. It seems impossible, but then&nbsp;
again, so has everything about this case so far.

00:16:38.440 --> 00:16:43.920
As the Detective watches, transfixed for a moment,&nbsp;
he sees Homer grab Ned Flanders by the collar,&nbsp;&nbsp;

00:16:43.920 --> 00:16:49.880
and drown him in a swimming pool. This is wrong.&nbsp;
This isn't the show he knows and loves. This&nbsp;&nbsp;

00:16:50.880 --> 00:16:57.240
is...corrupted. That's it! This has to be the&nbsp;
broadcast those poor people saw. All he has to&nbsp;&nbsp;

00:16:57.240 --> 00:17:03.760
do is shut it off, and he can stop this once and&nbsp;
for all. He's so preoccupied with switching the&nbsp;&nbsp;

00:17:03.760 --> 00:17:07.840
television off, with pulling the tape out&nbsp;
of the VCR and smashing it on the ground,&nbsp;&nbsp;

00:17:07.840 --> 00:17:13.120
he doesn't hear someone creeping up&nbsp;
behind him with big, lumbering footsteps.

00:17:13.120 --> 00:17:17.440
He doesn't realize there's someone else there&nbsp;
until he feels the beer bottle break across the&nbsp;&nbsp;

00:17:17.440 --> 00:17:23.160
back of his head. The detective wobbles, but&nbsp;
he doesn't go down! He whirls around, drawing&nbsp;&nbsp;

00:17:23.160 --> 00:17:28.040
his weapon, and chases after his assailant.&nbsp;
The man who attacked him is already running,&nbsp;&nbsp;

00:17:28.040 --> 00:17:31.480
and the Detective can't get a good look&nbsp;
at him in the dark warehouse, but he can&nbsp;&nbsp;

00:17:31.480 --> 00:17:40.000
make out a portly silhouette, a bald head, and&nbsp;
that same yellowed complexion as the victims.

00:17:40.000 --> 00:17:44.480
There's no doubt about it, this must be the man&nbsp;
responsible for broadcasting the signal. He's&nbsp;&nbsp;

00:17:44.480 --> 00:17:49.960
been transformed by his own creation. Or his&nbsp;
discovery? Once he's been properly arrested,&nbsp;&nbsp;

00:17:49.960 --> 00:17:55.040
the Detective can get some answers. He hopes. But&nbsp;
he's getting woozy from that blow to the head with&nbsp;&nbsp;

00:17:55.040 --> 00:17:59.680
the bottle, and his vision is swimming as he gives&nbsp;
chase through the maze of empty crates that line&nbsp;&nbsp;

00:17:59.680 --> 00:18:06.400
the warehouse. If he can't stop this guy before he&nbsp;
passes out, it'll all be over. The mastermind will&nbsp;&nbsp;

00:18:06.400 --> 00:18:12.120
pack up and find a new location, he'll keep the&nbsp;
broadcast going until the change destroys him too,&nbsp;&nbsp;

00:18:12.120 --> 00:18:19.000
and who knows how many more lives will be lost?&nbsp;
No, he won't let it happen like this. He won't.

00:18:19.000 --> 00:18:24.080
He pushes through the dizziness, narrowing his&nbsp;
eyes, watching for any motion in the dark. Up&nbsp;&nbsp;

00:18:24.080 --> 00:18:31.200
ahead, a flash of yellow, the glint of light&nbsp;
on a shiny bald head. There he is. He rounds&nbsp;&nbsp;

00:18:31.200 --> 00:18:36.280
the corner, and the man, who now looks just like&nbsp;
his first victim, is waiting with another beer&nbsp;&nbsp;

00:18:36.280 --> 00:18:43.160
bottle clutched in his fist. In his other hand,&nbsp;
he holds a donut with a big bite taken out of it.&nbsp;&nbsp;

00:18:43.160 --> 00:18:49.920
For a moment, the detective hesitates. It feels&nbsp;
a bit like he's attacking his own childhood.

00:18:49.920 --> 00:18:54.320
But no. This isn't Homer. This is a&nbsp;
mockery of everything Homer stands&nbsp;&nbsp;

00:18:54.320 --> 00:18:58.000
for. Of everything that the Simpsons&nbsp;
represented to the young Detective,&nbsp;&nbsp;

00:18:58.000 --> 00:19:02.720
of everything it still represents to him&nbsp;
now. He raises his weapon, and pulls the&nbsp;&nbsp;

00:19:02.720 --> 00:19:12.640
trigger. The strange man cries out, "D'oh!" and&nbsp;
collapses to the ground. That's it. It's all over.

00:19:12.640 --> 00:19:18.720
In the coming days, no more yellow bodies turn&nbsp;
up. Channel X has vanished from the airwaves.&nbsp;&nbsp;

00:19:18.720 --> 00:19:23.360
The Detective's hacker friend does him one more&nbsp;
favor and scrubs all mentions of the channel,&nbsp;&nbsp;

00:19:23.360 --> 00:19:28.280
and that symbol, from the internet. The Detective&nbsp;
brought in all of the broadcasting equipment,&nbsp;&nbsp;

00:19:28.280 --> 00:19:31.640
and the remains of the tape, to the&nbsp;
precinct, but some men claiming to be&nbsp;&nbsp;

00:19:31.640 --> 00:19:36.800
with the FBI came by and confiscated it.&nbsp;
Their badges looked a little bit funny,&nbsp;&nbsp;

00:19:36.800 --> 00:19:40.560
but the detective had decided not to&nbsp;
ask too many questions. Something in&nbsp;&nbsp;

00:19:40.560 --> 00:19:45.640
their expressions told him these gentlemen&nbsp;
knew how to handle unusual cases like this.

00:19:45.640 --> 00:19:49.720
Now, it's time for him to turn in his report&nbsp;
to the Captain. He hands him the file,&nbsp;&nbsp;

00:19:49.720 --> 00:19:53.200
and receives a hearty congratulations.&nbsp;
"We all knew you could do it,&nbsp;&nbsp;

00:19:53.200 --> 00:19:57.880
whiz kid. Nice work. What's next for you?" "Well,&nbsp;&nbsp;

00:19:57.880 --> 00:20:05.800
Captain..." The Detective says thoughtfully. "I'm&nbsp;
not sure why, but I could really use a donut."

00:20:05.800 --> 00:20:10.960
Check out the Dr. Bob Patreon and become&nbsp;
a junior researcher today! Now go and&nbsp;&nbsp;

00:20:10.960 --> 00:20:19.200
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Dr. Bob, like "SCP-1048 Builder Bear"

