WEBVTT
Kind: captions
Language: en

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An elderly woman wakes in the middle of the&nbsp;
night to the sounds of chaos just outside. She&nbsp;&nbsp;

00:00:05.520 --> 00:00:10.200
stumbles out of bed in her nightgown, carrying&nbsp;
a lantern, and rushes to check on the cows in&nbsp;&nbsp;

00:00:10.200 --> 00:00:15.720
her field. From a distance in the dark, she&nbsp;
can see one of the cows lying on its side,&nbsp;&nbsp;

00:00:15.720 --> 00:00:22.920
dead. Standing over it is a fox, but something is&nbsp;
wrong with it. The animal is standing on two legs,&nbsp;&nbsp;

00:00:22.920 --> 00:00:29.600
using its paw-like hands to tear at the cow's&nbsp;
corpse. She drops her lantern and screams…

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It is the late 1940s, and the world is still&nbsp;
reeling from the destruction and devastation&nbsp;&nbsp;

00:00:34.480 --> 00:00:39.600
of the Second World War. While nations are&nbsp;
trying desperately to rebuild and citizens&nbsp;&nbsp;

00:00:39.600 --> 00:00:45.440
are mourning the fallen, the SCP Foundation has&nbsp;
no time to grieve. Anomalous threats don't come&nbsp;&nbsp;

00:00:45.440 --> 00:00:49.520
to a stop just because the rest of the world&nbsp;
is trying to put its collective pieces back&nbsp;&nbsp;

00:00:49.520 --> 00:00:54.120
together. For the members of the fifth squad&nbsp;
of the Eastern Division of the SCP Foundation,&nbsp;&nbsp;

00:00:54.120 --> 00:00:58.760
a global tragedy must take a&nbsp;
backseat to smaller, localized,&nbsp;&nbsp;

00:00:58.760 --> 00:01:04.320
and potentially anomalous tragedy in the form&nbsp;
of several unusual deaths in Busan, Korea.

00:01:04.320 --> 00:01:08.200
Three agents are dispatched to the area&nbsp;
and told to investigate while posing as&nbsp;&nbsp;

00:01:08.200 --> 00:01:13.040
reporters covering the story. When they first&nbsp;
arrive, they hear about a troubling eyewitness&nbsp;&nbsp;

00:01:13.040 --> 00:01:18.440
account that has steered local authorities in&nbsp;
the direction of animal attacks. An elderly&nbsp;&nbsp;

00:01:18.440 --> 00:01:24.040
woman saw something eating one of her cows,&nbsp;
a mix between a fox and a human. Naturally,&nbsp;&nbsp;

00:01:24.040 --> 00:01:27.920
the authorities have written her off, but&nbsp;
something in her story rings true to one of&nbsp;&nbsp;

00:01:27.920 --> 00:01:33.640
the agents. He can remember tales his grandmother&nbsp;
once told him, sadistic old bat that she was,&nbsp;&nbsp;

00:01:33.640 --> 00:01:39.280
stories of fox people with razor-sharp&nbsp;
claws and fangs glistening with fresh blood.

00:01:39.280 --> 00:01:43.640
The other two agents have similar cultural&nbsp;
stories to share, folktales about women who&nbsp;&nbsp;

00:01:43.640 --> 00:01:49.640
were foxes in disguise, living amongst hapless&nbsp;
humans. Some of the stories were romantic,&nbsp;&nbsp;

00:01:49.640 --> 00:01:55.960
about fox wives marrying human husbands, having&nbsp;
children, and families. Others were horrible.&nbsp;&nbsp;

00:01:55.960 --> 00:02:00.640
Too horrible to repeat. The three agents can&nbsp;
only hope they haven't stumbled into the latter&nbsp;&nbsp;

00:02:00.640 --> 00:02:07.880
type of story. But when has a mission from the&nbsp;
SCP Foundation ever led to a fairytale outcome?

00:02:07.880 --> 00:02:11.600
The three men begin to comb the area,&nbsp;
searching for any evidence of this creature,&nbsp;&nbsp;

00:02:11.600 --> 00:02:18.840
a fox-person with a taste for hunting cows and&nbsp;
perhaps humans as well. Before very long at all,&nbsp;&nbsp;

00:02:18.840 --> 00:02:23.520
they stumble upon a beautiful young woman&nbsp;
sitting serenely under a waterfall. Clad&nbsp;&nbsp;

00:02:23.520 --> 00:02:28.320
in nothing more than a light robe, she tries&nbsp;
to nervously hide her bare feet at the sight&nbsp;&nbsp;

00:02:28.320 --> 00:02:33.760
of the strange men. But she doesn't do a very&nbsp;
good job, the three agents can plainly see, in&nbsp;&nbsp;

00:02:33.760 --> 00:02:42.000
place of the feet of a human woman, she has paws,&nbsp;
covered in reddish-brown fur. The feet of a fox.

00:02:42.000 --> 00:02:46.720
This must be a young, inexperienced creature of&nbsp;
her kind, they realize. Otherwise, how could they&nbsp;&nbsp;

00:02:46.720 --> 00:02:51.920
have tracked her down so easily? If the men&nbsp;
were smarter, less blinded by lust, laziness,&nbsp;&nbsp;

00:02:51.920 --> 00:02:57.600
and an eagerness for simple answers, they might&nbsp;
have asked more questions. Questions like:&nbsp;&nbsp;

00:02:57.600 --> 00:03:03.040
why did we find her so quickly? Why isn't she&nbsp;
hiding? How did she get close enough to kill&nbsp;&nbsp;

00:03:03.040 --> 00:03:07.960
those people when she's so bad at concealing&nbsp;
herself? But they don't stop and think;&nbsp;&nbsp;

00:03:07.960 --> 00:03:13.960
don't stop to ask those questions. And that&nbsp;
oversight will be what seals their fate.

00:03:13.960 --> 00:03:18.960
After realizing that the agents intend her no&nbsp;
apparent harm, the fox woman smiles warmly at&nbsp;&nbsp;

00:03:18.960 --> 00:03:22.760
them. She invites the men to come back&nbsp;
to her cottage with her for a hot meal&nbsp;&nbsp;

00:03:22.760 --> 00:03:28.200
and the chance to meet more of her kind. At&nbsp;
first, Agent Three is unsure about the offer,&nbsp;&nbsp;

00:03:28.200 --> 00:03:31.880
but the other two accept eagerly.&nbsp;
Swayed by the majority vote,&nbsp;&nbsp;

00:03:31.880 --> 00:03:37.480
and reminding himself that they are three armed&nbsp;
men against one slender, if anomalous, woman,&nbsp;&nbsp;

00:03:37.480 --> 00:03:41.920
he relents and accepts the invitation&nbsp;
as well. They follow the lovely woman&nbsp;&nbsp;

00:03:41.920 --> 00:03:48.160
like flies buzzing eagerly into a spider's web,&nbsp;
without the slightest inkling of what's to come.

00:03:48.160 --> 00:03:53.440
When they reach the cottage, they find it&nbsp;
modest but homey. Rustic but warm. It has a&nbsp;&nbsp;

00:03:53.440 --> 00:03:59.680
certain undeniable charm, the same charm shared&nbsp;
by the woman who led them there. She sits them&nbsp;&nbsp;

00:03:59.680 --> 00:04:05.000
at the dining table, the picture of delighted&nbsp;
hospitality. She insists on serving them, and they&nbsp;&nbsp;

00:04:05.000 --> 00:04:11.440
are all too happy to let her. She pours them cups&nbsp;
of plum wine and dishes out bowls of rice, pickled&nbsp;&nbsp;

00:04:11.440 --> 00:04:17.400
turnips, and perfectly seasoned meat. After&nbsp;
dinner, with full bellies and sleepy, wine-fogged&nbsp;&nbsp;

00:04:17.400 --> 00:04:23.160
minds, the agents decide to stay the night in&nbsp;
her guest beds. After all, why shouldn't they?

00:04:23.160 --> 00:04:25.080
This creature seems to mean them no harm,&nbsp;&nbsp;

00:04:25.080 --> 00:04:29.320
and she has no reason to feel threatened or&nbsp;
to try and attack them in any way. They'll&nbsp;&nbsp;

00:04:29.320 --> 00:04:33.200
see about containment options in the&nbsp;
morning after a good night's rest.

00:04:33.200 --> 00:04:38.720
Sometime in the night, Agent Three wakes to find&nbsp;
Agent One is gone. Strangely, he must have gotten&nbsp;&nbsp;

00:04:38.720 --> 00:04:43.520
up to use the bathroom in the night. Or rather,&nbsp;
to make use of a bush outside, since there is no&nbsp;&nbsp;

00:04:43.520 --> 00:04:48.200
formal bathroom in the cottage. The thought&nbsp;
reminds Agent Three of his own full bladder,&nbsp;&nbsp;

00:04:48.200 --> 00:04:53.080
and he tiptoes out into the night to relieve&nbsp;
himself. As he stumbles through the darkness,&nbsp;&nbsp;

00:04:53.080 --> 00:04:58.520
he suddenly hears muffled groaning, the wet&nbsp;
slap of flesh against flesh. All at once,&nbsp;&nbsp;

00:04:58.520 --> 00:05:04.440
it hits him: Agent One must be out here,&nbsp;
and from the sound of it, he isn't alone.

00:05:04.440 --> 00:05:06.800
Surely he wouldn't...but up ahead,&nbsp;&nbsp;

00:05:06.800 --> 00:05:11.880
he can make out the silhouettes of&nbsp;
Agent One and the fox woman, together.

00:05:11.880 --> 00:05:17.160
That's a Foundation ethics violation of&nbsp;
some kind, it has to be. Agent Three opens&nbsp;&nbsp;

00:05:17.160 --> 00:05:21.320
his mouth to say something, when Agent One&nbsp;
suddenly collapses to the ground in front&nbsp;&nbsp;

00:05:21.320 --> 00:05:25.840
of the fox woman. As his eyes adjust&nbsp;
to the dark, Agent Three can see that&nbsp;&nbsp;

00:05:25.840 --> 00:05:31.680
his fallen friend's shirt is stained with&nbsp;
blood, and his throat has been ripped out.

00:05:31.680 --> 00:05:37.320
In her clawed hand, the fox woman holds Agent&nbsp;
One's liver, steaming with body heat in the cool&nbsp;&nbsp;

00:05:37.320 --> 00:05:43.000
night air. She lifts the organ up, examining&nbsp;
it with a hungry glint in her eye. Then,&nbsp;&nbsp;

00:05:43.000 --> 00:05:48.800
she opens her mouth, sticks out her tongue,&nbsp;
and swallows the liver in a single gulp. The&nbsp;&nbsp;

00:05:48.800 --> 00:05:54.680
sight reminds Agent Three of a snake devouring a&nbsp;
mouse, and his stomach turns as disgust, horror,&nbsp;&nbsp;

00:05:54.680 --> 00:06:00.760
and grief overwhelm his system all at once. He&nbsp;
watched as the fox woman lowered one extra-sharp&nbsp;&nbsp;

00:06:00.760 --> 00:06:06.320
fingernail, using it like a scalpel, and&nbsp;
began to cut at the fallen man's skin.

00:06:06.320 --> 00:06:11.160
All at once, his legs are able to move again. He&nbsp;
sprints back toward the cottage, shaking Agent&nbsp;&nbsp;

00:06:11.160 --> 00:06:16.280
Two awake. Agent Three can't quite get his words&nbsp;
together, his thoughts scrambled from the horror&nbsp;&nbsp;

00:06:16.280 --> 00:06:22.720
he just witnessed, but he manages to get one&nbsp;
coherent sentence out: "We need to leave. Now."

00:06:22.720 --> 00:06:25.520
Before Agent Two can ask&nbsp;
what the hell is going on,&nbsp;&nbsp;

00:06:25.520 --> 00:06:31.280
Agent One walks into the room as if nothing&nbsp;
ever happened. Much to Agent Three's shock,&nbsp;&nbsp;

00:06:31.280 --> 00:06:37.440
the man doesn't have a gaping hole where his&nbsp;
liver should be. That's impossible! But wait...his&nbsp;&nbsp;

00:06:37.440 --> 00:06:44.800
eyes...they're glowing yellow. That's not an SCP&nbsp;
Foundation Agent. Something is terribly wrong.

00:06:44.800 --> 00:06:48.680
Agent Three doesn't have time to explain to&nbsp;
the other Agent what's happening. He doesn't&nbsp;&nbsp;

00:06:48.680 --> 00:06:54.720
have time to think. All he has time to do is&nbsp;
draw his weapon, and fire at the impostor.&nbsp;&nbsp;

00:06:54.720 --> 00:06:58.760
As anyone might do in this maddening&nbsp;
situation, Agent Two draws his weapon,&nbsp;&nbsp;

00:06:58.760 --> 00:07:03.320
pointing it at Three and ordering him to&nbsp;
put the weapon away. Three tries to explain,&nbsp;&nbsp;

00:07:03.320 --> 00:07:08.440
to convince him that the man he just shot is&nbsp;
not their friend, but the fox in disguise.&nbsp;&nbsp;

00:07:08.440 --> 00:07:13.760
He won't listen, promising to put Agent Three&nbsp;
down like a mad dog for killing their comrade.

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That's when the fox sees her opening. She grabs&nbsp;
hold of Agent Two from behind, knocking the gun,&nbsp;&nbsp;

00:07:19.720 --> 00:07:25.160
causing it to discharge. Agent Three cries out&nbsp;
in pain as the bullet pierces his flesh. Only&nbsp;&nbsp;

00:07:25.160 --> 00:07:30.560
his upper shoulder, thankfully. Not a fatal&nbsp;
wound. But it still hurts like absolute hell.

00:07:30.560 --> 00:07:36.080
He collapses to the ground from the pain,&nbsp;
screaming, while the fox laughs at his misery.&nbsp;&nbsp;

00:07:36.080 --> 00:07:43.120
It's a truly demonic sound, a loud, high cackle&nbsp;
like nothing he's ever heard before. The sound is&nbsp;&nbsp;

00:07:43.120 --> 00:07:49.200
too much, he has to get away from it, away from&nbsp;
her, put something between him and this monster.&nbsp;&nbsp;

00:07:49.200 --> 00:07:54.320
He drags himself into the living room, pulling the&nbsp;
rice paper screen door shut. It won't protect him,&nbsp;&nbsp;

00:07:54.320 --> 00:07:59.680
but at least he doesn't have to look at her.&nbsp;
Unfortunately, another horror awaits him there.

00:07:59.680 --> 00:08:05.200
On the dining table, laid out like a roast pig&nbsp;
ready for carving, is another agent, a man he and&nbsp;&nbsp;

00:08:05.200 --> 00:08:11.080
the others saw at the base of the mountain a day&nbsp;
before. But now...his eyes are wide and glassy,&nbsp;&nbsp;

00:08:11.080 --> 00:08:16.760
his skin pale, and lifeless. He spots the&nbsp;
empty bowls, and all at once, the sickening&nbsp;&nbsp;

00:08:16.760 --> 00:08:23.640
truth washes over him. Their dinner...that meat&nbsp;
wasn't pork, or beef. It was human. And they&nbsp;&nbsp;

00:08:23.640 --> 00:08:29.520
didn't eat it with rice, but with maggots,&nbsp;
crawling over the meat, slippery and white.

00:08:29.520 --> 00:08:31.760
His stomach can't help but empty itself,&nbsp;&nbsp;

00:08:31.760 --> 00:08:36.600
and as he heaves onto the floor, he sees&nbsp;
a few maggots still alive in the vomit.

00:08:36.600 --> 00:08:41.040
No time to think about it anymore, no time to&nbsp;
sit with the horrors and let them paralyze him.&nbsp;&nbsp;

00:08:41.040 --> 00:08:46.160
He needs a weapon, and fast. He manages&nbsp;
to snap off a piece of a wooden beam,&nbsp;&nbsp;

00:08:46.160 --> 00:08:51.320
breaking it into a jagged edge. He angles it&nbsp;
just right, just in time for the fox woman to&nbsp;&nbsp;

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tear through the rice paper door. He jams the&nbsp;
jagged edge of the wooden beam into her stomach,&nbsp;&nbsp;

00:08:56.000 --> 00:08:59.760
and makes a run for it. He tears out&nbsp;
of the cottage and into the forest,&nbsp;&nbsp;

00:08:59.760 --> 00:09:04.560
tripping over the rugged landscape and fighting&nbsp;
through the agony of his gunshot wound.

00:09:04.560 --> 00:09:09.760
Suddenly, the sound of running water, a&nbsp;
welcome oasis in the dark and the terror.&nbsp;&nbsp;

00:09:09.760 --> 00:09:14.280
He stumbles onto the riverbank, attempting&nbsp;
to wade through the water and cross. But&nbsp;&nbsp;

00:09:14.280 --> 00:09:19.960
he has too many forces working against him:&nbsp;
the pitch-black night, the fear, the pain,&nbsp;&nbsp;

00:09:19.960 --> 00:09:24.600
the confusion from the blood loss. He&nbsp;
slips on the wet rocks, hits his head,&nbsp;&nbsp;

00:09:24.600 --> 00:09:29.840
and is swept away by the rapids. He floats&nbsp;
down the river for at least half a mile before&nbsp;&nbsp;

00:09:29.840 --> 00:09:34.560
he grabs hold of a branch strong enough&nbsp;
to pull himself back out of the water.

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As he drags himself onto dry land, heaving&nbsp;
and gasping, he realizes something. He&nbsp;&nbsp;

00:09:39.920 --> 00:09:46.200
recognizes where he is. The van is just a&nbsp;
few feet away! He has a sudden revelation:&nbsp;&nbsp;

00:09:46.200 --> 00:09:52.760
fire. In the stories he heard growing up, fire&nbsp;
was always the key to defeating an evil force.&nbsp;&nbsp;

00:09:52.760 --> 00:09:57.040
He doesn't have the keys, but that doesn't&nbsp;
matter. He busts the window and opens up&nbsp;&nbsp;

00:09:57.040 --> 00:10:03.360
the back. There it is. A Foundation-issued&nbsp;
Defoliant Projector, better known as a good&nbsp;&nbsp;

00:10:03.360 --> 00:10:10.040
old-fashioned flamethrower. This should do it, if&nbsp;
that evil woman manages to track him down again.

00:10:10.040 --> 00:10:16.160
As if summoned by his thoughts, there she is,&nbsp;
emerging out of the tree line. She smiles at him,&nbsp;&nbsp;

00:10:16.160 --> 00:10:20.680
eyes gleaming with menace. He raises&nbsp;
the flamethrower and prepares to rain&nbsp;&nbsp;

00:10:20.680 --> 00:10:25.880
down hell on the monster that killed&nbsp;
his friends and fed him their flesh...

00:10:25.880 --> 00:10:29.200
Several days later, a Foundation&nbsp;
retrieval team manages to track&nbsp;&nbsp;

00:10:29.200 --> 00:10:33.440
down Agent Three. They find him with the&nbsp;
fox woman, whom they manage to capture&nbsp;&nbsp;

00:10:33.440 --> 00:10:39.440
and bring into custody. He is a shadow of&nbsp;
himself, pale, sweaty, body fighting off&nbsp;&nbsp;

00:10:39.440 --> 00:10:44.520
a severe infection. He is quickly taken&nbsp;
to a hospital to recuperate. Meanwhile,&nbsp;&nbsp;

00:10:44.520 --> 00:10:52.800
the Foundation is able to study the fox woman, who&nbsp;
is designated SCP-953 - The Polymorphic Humanoid.

00:10:52.800 --> 00:11:00.240
About SCP-953, a few things are certain: she is&nbsp;
a female red fox, approximately 8 kg in weight,&nbsp;&nbsp;

00:11:00.240 --> 00:11:05.320
with a spine that splits around her 26th&nbsp;
vertebra into nine separate tails. She&nbsp;&nbsp;

00:11:05.320 --> 00:11:10.240
has polymorphic properties and is able to&nbsp;
take on various other forms. Most commonly,&nbsp;&nbsp;

00:11:10.240 --> 00:11:14.680
she takes on the shape of a beautiful&nbsp;
Korean woman. Whenever in a human form,&nbsp;&nbsp;

00:11:14.680 --> 00:11:20.760
however, she does still maintain at least one&nbsp;
fox-like characteristic, such as ears, paws,&nbsp;&nbsp;

00:11:20.760 --> 00:11:25.880
tail, eyes, or mannerisms. If she is able,&nbsp;
she will attempt to conceal these elements&nbsp;&nbsp;

00:11:25.880 --> 00:11:31.200
through various methods of disguise,&nbsp;
such as clothing, hats, and hairstyles.

00:11:31.200 --> 00:11:35.400
In addition to her polymorphic&nbsp;
abilities, SCP-953 is observed to&nbsp;&nbsp;

00:11:35.400 --> 00:11:40.520
possess other supernatural abilities. She has&nbsp;
the power of suggestion and telepathy. She can&nbsp;&nbsp;

00:11:40.520 --> 00:11:45.160
convince others of falsehoods, concealing her&nbsp;
nature and the nature of things around her.

00:11:45.160 --> 00:11:49.840
While the Foundation is discovering this, Agent&nbsp;
Three is busy recovering from his injuries.&nbsp;&nbsp;

00:11:49.840 --> 00:11:53.760
When he is discharged from the hospital, he&nbsp;
sits down for an interview with a Foundation&nbsp;&nbsp;

00:11:53.760 --> 00:11:58.320
Assistant Director. He lays out the Foundation's&nbsp;
plans to terminate the fox woman, given her&nbsp;&nbsp;

00:11:58.320 --> 00:12:03.880
malicious nature and unknown levels of power.&nbsp;
Agent Three vehemently opposes this choice,&nbsp;&nbsp;

00:12:03.880 --> 00:12:08.480
begging them not to do so. He advises them&nbsp;
to contain her but to be cautious about&nbsp;&nbsp;

00:12:08.480 --> 00:12:13.160
how they do so. Ordinary methods,&nbsp;
he advises, will not be effective.

00:12:13.160 --> 00:12:16.240
He pleads with the Foundation to&nbsp;
consider the creature's nature,&nbsp;&nbsp;

00:12:16.240 --> 00:12:21.080
saying, "She's spiteful. Every little&nbsp;
slight in her eyes, she saves up,&nbsp;&nbsp;

00:12:21.080 --> 00:12:26.120
and the only way she knows how to repay an&nbsp;
insult is death. Chaining her to the wall&nbsp;&nbsp;

00:12:26.120 --> 00:12:31.400
like an animal… when she gets out, and she&nbsp;
will get out, she's going to kill everyone&nbsp;&nbsp;

00:12:31.400 --> 00:12:35.680
who had the slightest thing to do with&nbsp;
it. She won't settle for anything else.”

00:12:35.680 --> 00:12:40.840
He gives suggestions for what the Foundation&nbsp;
can do to contain the creature, but above all,&nbsp;&nbsp;

00:12:40.840 --> 00:12:44.480
insists that she be kept alive. At this point,&nbsp;&nbsp;

00:12:44.480 --> 00:12:49.880
the Interviewer points out that the Agent has&nbsp;
been visiting SCP-953 in her containment cell.&nbsp;&nbsp;

00:12:49.880 --> 00:12:54.800
He questions the Agent's motives, suggesting&nbsp;
he might have Stockholm Syndrome. The Agent&nbsp;&nbsp;

00:12:54.800 --> 00:12:59.120
refuses to consider that possibility.&nbsp;
In return, the Interview has him taken&nbsp;&nbsp;

00:12:59.120 --> 00:13:05.080
to Site-51 for psychological analysis. The&nbsp;
containment procedures are left unchanged.

00:13:05.080 --> 00:13:08.640
The interviewer includes this note with&nbsp;
the transcription of the interview:&nbsp;&nbsp;

00:13:08.640 --> 00:13:12.240
"On a side note, I am appalled by the&nbsp;
level of superstition expressed by the&nbsp;&nbsp;

00:13:12.240 --> 00:13:16.480
Agent throughout the course of this interview.&nbsp;
I am recommending that his suggestions regarding&nbsp;&nbsp;

00:13:16.480 --> 00:13:22.320
containment be disregarded for a more scientific&nbsp;
approach. We're not old Korean fishwives here,&nbsp;&nbsp;

00:13:22.320 --> 00:13:26.160
I'm sure we can think of something&nbsp;
more effective than dogs and needles."

00:13:26.160 --> 00:13:31.040
Not long after the interview,&nbsp;
SCP-953 escapes from custody,&nbsp;&nbsp;

00:13:31.040 --> 00:13:35.960
killing several Foundation personnel in&nbsp;
the process. They managed to recapture her,&nbsp;&nbsp;

00:13:35.960 --> 00:13:42.360
but she escaped again. And again. And again.&nbsp;
After her sixth escape, the Foundation is&nbsp;&nbsp;

00:13:42.360 --> 00:13:48.360
unable to track her down. She remains unseen for&nbsp;
years, sneaking around under the radar, as the&nbsp;&nbsp;

00:13:48.360 --> 00:13:53.480
Foundation waits for the inevitable bloodbath&nbsp;
that will ensue when she gets bored enough.

00:13:53.480 --> 00:13:59.000
Years pass, and the date of the annual Yiffcon&nbsp;
rolls around again. This is of little interest&nbsp;&nbsp;

00:13:59.000 --> 00:14:04.560
to the Foundation. Why would they be monitoring&nbsp;
the goings-on of a small furry convention? Well,&nbsp;&nbsp;

00:14:04.560 --> 00:14:08.840
maybe they should be, because there is no&nbsp;
better place in the world for a fox woman to&nbsp;&nbsp;

00:14:08.840 --> 00:14:13.880
pass unnoticed. If anything, with only her&nbsp;
ears and tail showing through her human form,&nbsp;&nbsp;

00:14:13.880 --> 00:14:18.800
she's a bit underdressed compared to the rest&nbsp;
of the attendees. A few convention-goers stop&nbsp;&nbsp;

00:14:18.800 --> 00:14:22.360
to admire the beautiful woman with&nbsp;
the reddish-brown fox ears and tail,&nbsp;&nbsp;

00:14:22.360 --> 00:14:25.800
but most of them don't even&nbsp;
give her a second glance.

00:14:25.800 --> 00:14:28.360
Unfortunately for the convention's attendees,&nbsp;&nbsp;

00:14:28.360 --> 00:14:33.240
she has far more malicious plans than supporting&nbsp;
small businesses by purchasing some art or a&nbsp;&nbsp;

00:14:33.240 --> 00:14:37.680
body pillow. She passes out cards with her&nbsp;
room number on them to various strangers,&nbsp;&nbsp;

00:14:37.680 --> 00:14:43.360
inviting them to an after-hours party in her&nbsp;
room. With her friendly face and gorgeous smile,&nbsp;&nbsp;

00:14:43.360 --> 00:14:49.320
how could they say no? After all, it's a friendly&nbsp;
event, and nothing bad ever happens at Yiffcon.

00:14:49.320 --> 00:14:55.480
When a dozen anthropomorphic animal enthusiasts&nbsp;
arrive at SCP-953's room, they find a few bottles&nbsp;&nbsp;

00:14:55.480 --> 00:15:01.040
of wine and an uneasy atmosphere. Still, they're&nbsp;
excited to socialize, and thrilled to have been&nbsp;&nbsp;

00:15:01.040 --> 00:15:06.840
invited to an after-hours party. They don't notice&nbsp;
her sliding the deadbolt into place behind them,&nbsp;&nbsp;

00:15:06.840 --> 00:15:12.720
placing her body between them and their only&nbsp;
exit. An hour later, another hotel guest calls&nbsp;&nbsp;

00:15:12.720 --> 00:15:17.560
the police to alert them to the sounds of&nbsp;
horrific screams coming from down the hall.&nbsp;

00:15:17.560 --> 00:15:23.000
But when the police arrive, they can't hear&nbsp;
anything. The place is eerily quiet. As they&nbsp;&nbsp;

00:15:23.000 --> 00:15:27.400
approach the offending room, they hear the&nbsp;
sounds of a respectfully tame party inside,&nbsp;&nbsp;

00:15:27.400 --> 00:15:32.600
and a beautiful woman answers the door, assuring&nbsp;
them that everything is fine. The officers turn&nbsp;&nbsp;

00:15:32.600 --> 00:15:37.400
and leave without a second thought, and as the&nbsp;
victims inside the room continue to scream,&nbsp;&nbsp;

00:15:37.400 --> 00:15:42.720
the cops can't hear a thing. They don't&nbsp;
know it, but they're trapped in her thrall.

00:15:42.720 --> 00:15:47.600
The next morning, a hotel housekeeper knocks on&nbsp;
the door of the ill-fated room. No one answers,&nbsp;&nbsp;

00:15:47.600 --> 00:15:53.000
and there isn't a do-not-disturb sign on the door,&nbsp;
so she lets herself in. As soon as she opens the&nbsp;&nbsp;

00:15:53.000 --> 00:15:58.800
door, she regrets it. There, so engrossed in&nbsp;
her gleeful bloodlust that she doesn't even&nbsp;&nbsp;

00:15:58.800 --> 00:16:07.160
notice the intrusion, is SCP-953, surrounded by&nbsp;
dozens of corpses. The housekeeper calls 911,&nbsp;&nbsp;

00:16:07.160 --> 00:16:11.920
but after stuttering out a few words on the&nbsp;
situation, a clawed hand grabs hold of her hair&nbsp;&nbsp;

00:16:11.920 --> 00:16:19.320
and yanks her back inside. The poor housekeeper&nbsp;
will never be seen again. Not alive, anyway.

00:16:19.320 --> 00:16:22.920
Fortunately, it was enough information to&nbsp;
alert the Foundation to the situation at&nbsp;&nbsp;

00:16:22.920 --> 00:16:28.160
hand. Unfortunately, by the time they arrive&nbsp;
on the scene, there are over two dozen corpses&nbsp;&nbsp;

00:16:28.160 --> 00:16:33.720
littering the hotel floor. One is stuffed into a&nbsp;
mattress, another hanging over a shower curtain&nbsp;&nbsp;

00:16:33.720 --> 00:16:39.600
rod, one rolled up in a carpet, and another is&nbsp;
strewn across a banquet table. Any survivors are&nbsp;&nbsp;

00:16:39.600 --> 00:16:45.080
brought into Foundation custody and given&nbsp;
Class-A Amnestics to wipe their memories.

00:16:45.080 --> 00:16:50.360
The convention concludes early, under the cover&nbsp;
story of a dangerous gas leak. During the chaos,&nbsp;&nbsp;

00:16:50.360 --> 00:16:55.600
the Foundation managed to bring SCP-953 into&nbsp;
custody. This time, they acknowledge the need&nbsp;&nbsp;

00:16:55.600 --> 00:17:00.720
to amend the containment procedures they have&nbsp;
been using. They can't let her escape again.

00:17:00.720 --> 00:17:06.440
Today, SCP-953 is kept in a Type&nbsp;
4 containment cell at Site-17.&nbsp;&nbsp;

00:17:06.440 --> 00:17:10.880
She is provided the following necessities:&nbsp;
fresh liver, daily. Clean drinking water,&nbsp;&nbsp;

00:17:10.880 --> 00:17:15.840
and plenty of it. A futon and clean bedding&nbsp;
for it, which is laundered weekly. When she&nbsp;&nbsp;

00:17:15.840 --> 00:17:20.640
is on her best behavior and has been especially&nbsp;
nonviolent, she is occasionally presented with&nbsp;&nbsp;

00:17:20.640 --> 00:17:27.120
a small luxury item such as a book, a dessert,&nbsp;
or a bottle of plum wine. Direct human contact&nbsp;&nbsp;

00:17:27.120 --> 00:17:33.440
with SCP-953 has been strictly prohibited due&nbsp;
to her psychic abilities. Delivery of her food,&nbsp;&nbsp;

00:17:33.440 --> 00:17:37.640
or any other items, is to be carried&nbsp;
out by an automated robotic assistant.

00:17:37.640 --> 00:17:39.480
In addition to her physical containment,&nbsp;&nbsp;

00:17:39.480 --> 00:17:43.440
psychological measures with a folkloric&nbsp;
origin have been employed. The entrance&nbsp;&nbsp;

00:17:43.440 --> 00:17:47.600
to her containment chamber is lined with&nbsp;
open-cage dog kennels containing Korean&nbsp;&nbsp;

00:17:47.600 --> 00:17:53.560
Jindo or American Foxhound dogs. She will not&nbsp;
approach any canines out of an apparent aversion,&nbsp;&nbsp;

00:17:53.560 --> 00:17:59.600
especially when one is barking. SCP-953 is&nbsp;
considered extremely hostile, dangerous,&nbsp;&nbsp;

00:17:59.600 --> 00:18:05.400
and armed at all times, given the nature of her&nbsp;
razor-sharp claws and numerous deadly abilities.

00:18:05.400 --> 00:18:08.360
I found this addendum attached&nbsp;
to her official file, concerning&nbsp;&nbsp;

00:18:08.360 --> 00:18:13.160
folklore control procedures&nbsp;
as they pertain to SCP-953:

00:18:13.160 --> 00:18:18.960
"As a reminder: staff assigned to SCP-953 are&nbsp;
to follow all instructions for interacting with&nbsp;&nbsp;

00:18:18.960 --> 00:18:24.040
the subject, no matter how odd or arbitrary&nbsp;
they may seem. Keep in mind that the people&nbsp;&nbsp;

00:18:24.040 --> 00:18:28.320
of Asia interacted with these beings for&nbsp;
centuries before we came onto the scene:&nbsp;&nbsp;

00:18:28.880 --> 00:18:34.440
what we think of as fairy tales were their&nbsp;
version of Special Containment Procedures."

00:18:34.440 --> 00:18:39.800
Personally, I hope to never encounter&nbsp;
SCP-953 under any circumstances. Though,&nbsp;&nbsp;

00:18:39.800 --> 00:18:45.640
as I say that, a disquieting thought crosses&nbsp;
my mind...it's entirely possible I have,&nbsp;&nbsp;

00:18:45.640 --> 00:18:50.240
at some point, and simply didn't know it.&nbsp;
After all, she is capable of shifting her&nbsp;&nbsp;

00:18:50.240 --> 00:18:54.760
shape in countless ways and is a master&nbsp;
of trickery and deception. I may very&nbsp;&nbsp;

00:18:54.760 --> 00:19:00.040
well have crossed paths with her before. I&nbsp;
suppose I'll never know for sure. All I know&nbsp;&nbsp;

00:19:00.040 --> 00:19:06.720
is that I still have my liver, for now.&nbsp;
And for that, I am very, very grateful.

00:19:06.720 --> 00:19:10.840
Check out the Dr. Bob Patreon and become&nbsp;
a junior researcher today! Now go and&nbsp;&nbsp;

00:19:10.840 --> 00:19:16.160
watch another entry from the files of&nbsp;
Dr. Bob, like "SCP-4966 - Tubbioca:&nbsp;&nbsp;

00:19:16.160 --> 00:19:21.040
Devourer of Souls, Consumer&nbsp;
of Secrets, Lord of Munchies!"

